Our Crime Fiction and Non-Fiction Fall Reading List

The Larkin siblings are known around the small town of Wofford Falls. Both are artists, but Peter Larkin, Lark to his friends, is the hometown hero. The one who went to the big city and got famous, then came back and settled down. He’s the kind of guy who becomes fast friends with almost anyone. His sister Betsy on the other hand is more… eccentric. She keeps to herself. 
When Lark goes to deliver one of his latest pieces to a fabulously rich buyer, it seems like a regular transaction. Even being met at the gate of the sprawling, secluded estate by an intimidating security guard seems normal. Until the guard plays him a live feed: Betsy being abducted in real time. 
Lark is informed that she’s safe for now, but her well‑being is entirely in his hands. He's given a book. Do what the book says, and Betsy will go free.
It seems simple enough. But as Lark begins to read he realizes: the book might be demonic. Its writer may be unhinged. His sister's captors are almost certainly not what they seem. And his town and those within it are… changing.
And the only way out is through.

It’s the summer of 1964 and three innocent men are brutally murdered for trying to help Black Mississippians secure the right to vote. Against this backdrop, twenty-one year old Violet Richards finds herself in more trouble than she’s ever been in her life. Suffering a brutal attack of her own, she kills the man responsible. But with the color of Violet’s skin, there is no way she can escape Jim Crow justice in Jackson, Mississippi. Before anyone can find the body or finger her as the killer, she decides to run. With the help of her white beau, Violet escapes. But desperation and fear leads her to hide out in the small rural town of Chillicothe, Georgia, unaware that danger may be closer than she thinks.

Back in Jackson, Marigold, Violet’s older sister, has dreams of attending law school. Working for the Mississippi Summer Project, she has been trying to use her smarts to further the cause of the Black vote. But Marigold is in a different kind of trouble: she’s pregnant and unmarried. After news of the murder brings the police to her door, Marigold sees no choice but to flee Jackson too. She heads North seeking the promise of a better life and no more segregation. But has she made a terrible choice that threatens her life and that of her unborn child? 

Two sisters on the run—one from the law, the other from social shame. What they don’t realize is that there’s a man hot on their trail. This man has his own brand of dark secrets and a disturbing motive for finding the sisters that is unknown to everyone but him . . .

The Other Side of Night begins with a man named David Asha writing about his biggest regret: his sudden separation from his son, Elliot. In his grief, David tells a story.
Next, we step into the life of Harriet Kealty, a police officer trying to clear her name after a lapse of judgment. She discovers a curious inscription in a secondhand book—a plea: Help me, he’s trying to kill me. Who wrote this note? Who is “he”?
This note leads Harri to David Asha, who was last seen stepping off a cliff. Police suspect he couldn’t cope after his wife’s sudden death. Still, why would this man jump and leave behind his young son? Quickly, Harri’s attention zeroes in on a person she knows all too well.
Ben Elmys: once the love of her life. A surrogate father to Elliot Asha and trusted friend to the Ashas.
Ben may also be a murderer.​

For as long as Lucia Gomez has been the police chief in the city of Highland Isle, near Kindle County, she has known that any woman in law enforcement must walk a precarious line between authority and camaraderie to gain respect.  She has maintained a spotless reputation—until now. Three male police officers have accused her of soliciting sex in exchange for promotions to higher ranks. With few people left who she can trust, Chief Gomez turns to an old friend, Rik Dudek, to act as her attorney in the federal grand jury investigation, insisting to Rik that the accusations against her are part of an ugly smear campaign designed to destroy her career and empower her enemies—both outside the police force and within..
Clarice “Pinky” Granum spent most of her youth experimenting with an impressive array of drugs and failing out of various professions, including the police academy. Pinky knows that in the eyes of most people, she's nothing but a screwup—but she doesn't trust most people's opinions anyway. Moreover, she finally has a respectable-enough job as a licensed P.I. working for Rik on his roster of mostly minor cases, like workman's comp, DUIs and bar fights. Rik's shabby office and even shabbier cases are a far cry from the kinds of high-profile criminal matters Pinky became familiar with in the law office of her grandfather, Sandy Stern. But Rik and Pinky feel that Chief Gomez’s case, which has attracted national attention, is their chance to break into the legal big leagues.    

Peyote Trip has a pretty good gig in the deals department on the fifth floor of Hell. Sure, none of the pens work, the coffee machine has been out of order for a century, and the only drink on offer is Jägermeister, but Pey has a plan—and all he needs is one last member of the Harrison family to sell their soul.
When the Harrisons retreat to the family lake house for the summer, with their daughter Mickey’s precocious new friend, Ruth, in tow, the opportunity Pey has waited a millennium for might finally be in his grasp. And with the help of his charismatic coworker Calamity, he sets a plan in motion.
But things aren’t always as they seem, on Earth or in Hell. And as old secrets and new dangers scrape away at the Harrisons’ shiny surface, revealing the darkness beneath, everyone must face the consequences of their choices.

When Amos Decker is called to South Florida to investigate a double homicide, the case appears straightforward: A federal judge and her bodyguard have been found dead, the judge’s face sporting a blindfold with two eye holes crudely cut out, a clear sign that she’d made one too many enemies over her years on the bench.
What at first seems cut and dry is anything but: Not only did the judge have more enemies than Decker can count—from violent gang members, drug dealers, and smugglers to a resentful ex-husband—but the bodyguard presents additional conundrums that muddy the waters even further. Who was the real target in this vicious attack?
Meanwhile, Decker must contend with a series of unsettling changes, including a new partner—Special Agent Frederica “Freddie” White—and a devastating event that brings Decker’s own tragic past back to the present . . . and forces him to reckon with his future. As potential witnesses start disappearing, Decker and White are inexorably pulled down a twisted tunnel of secrets, crimes, and scandal—at the end of which lies Decker’s deadliest threat yet.

Julian Ladd and Rye Adler cross paths as photography students in the exclusive Brodsky Workshop.  When Rye needs a roommate, Julian moves in, and a quiet, compulsive envy takes root, assuring, at least in his own mind, that he will never achieve Rye’s certain success.  Both men are fascinated with their beautiful and talented classmate, Magda, whose captivating images of her Polish neighborhood set her apart, and each will come to know her intimately – a woman neither can possess and only one can love. 
Twenty years later, long after their paths diverge, Rye is at the top of his field, famous for his photographs of celebrities and far removed from the downtrodden and disenfranchised subjects who’d secured his reputation as the eye of his generation. When Magda reenters his life, asking for help only he can give, Rye finds himself in a broken landscape of street people and addicts, forcing him to reckon with the artist he once was, until his search for a missing boy becomes his own desperate fight to survive.
Months later, when Julian discovers Rye’s obituary, the paper makes it sound like a suicide.  Despite himself, Julian attends the funeral, where there is no casket and no body.  This sudden reentry into a world he thought he left behind forces Julian to question not only Rye’s death, but the very foundations of his life.

A precise killer, he always moves under the cover of darkness, flawlessly triggering no alarms, leaving no physical evidence. Cross and Sampson aren’t the only ones investigating. Also in on this most intriguing case is the world’s bestselling true-crime author, who sees patterns everyone else misses. The writer, Thomas Tull, calls the Family Man murders the perfect crime story. He believes the killer may never be caught. Cross knows there is no perfect crime. And he’s going to hunt down the Family Man no matter what it takes.  Until the Family Man decides to flip the narrative and bring down Cross and his family. 

The art world is a much dirtier, nastier business than you might expect. Tony Tetro, one of the most renowned art forgers in history, will make you question every masterpiece you’ve ever seen in a museum, gallery, or private collection. Tetro’s “Rembrandts,” “Caravaggios,” “Miros,” and hundreds of other works now hang on walls around the globe. In 2019, it was revealed that Prince Charles received into his collection a Picasso, Dali, Monet, and Chagall, insuring them for over 200 million pounds, only to later discover that they’re actually “Tetros.” And the kicker? In Tony’s words: “Even if some tycoon finds out his Rembrandt is a fake, what’s he going to do, turn it in? Now his Rembrandt just became motel art. Better to keep quiet and pass it on to the next guy. It’s the way things work for guys like me.” The Prince Charles scandal is the subject of a forthcoming feature documentary with Academy Award nominee Kief Davidson and coauthor Giampiero Ambrosi, in cooperation with Tetro.
Throughout Tetro’s career, his inimitable talent has been coupled with a reckless penchant for drugs, fast cars, and sleeping with other con artists. He was busted in 1989 and spent four years in court and one in prison. His voice—rough, wry, deeply authentic—is nothing like the high society he swanned around in, driving his Lamborghini or Ferrari, hobnobbing with aristocrats by day, and diving into debauchery when the lights went out. He’s a former furniture store clerk who can walk around in Caravaggio’s shoes, become Picasso or Monet, with an encyclopedic understanding of their paint, their canvases, their vision. For years, he hid it all in an unassuming California townhouse with a secret art room behind a full-length mirror. (Press #* on his phone and the mirror pops open.) Pairing up with coauthor Ambrosi, one of the investigative journalists who uncovered the 2019 scandal, Tetro unveils the art world in an epic, alluring, at times unbelievable, but all-true narrative.

At 5.02 pm on June 5, 1986, an emergency call came into the local sheriff’s office in the small town of Auburn, Washington State. A distressed housewife, Stella Nickell, said her husband Bruce was having a seizure. Officers rushed to the Nickell’s mobile home, to find Stella standing frozen at the door… Bruce was on the floor fighting for his life.  
As Stella became the beneficiary of over $175,000 in a life insurance pay-out, forensics discovered that Bruce had consumed painkillers laced with cyanide.
A week later, fifteen-year-old Hayley was getting ready for another school day. Her mom, Sue, called out ‘I love you’ before heading into the bathroom and moments later collapsed on the floor. Sue never regained consciousness, and the autopsy revealed she had been poisoned by cyanide tainted headache pills. Just like Bruce.
While a daughter grieved the sudden and devastating loss of her mother, a young woman, Cindy, was thinking about her own mom Stella. She thought about the years of neglect and abuse, the tangled web of secrets Stella had shared with her, and Cindy contemplated turning her mom into the FBI…

It’s spring and Three Pines is reemerging after the harsh winter. But not everything buried should come alive again. Not everything lying dormant should reemerge.
But something has.
As the villagers prepare for a special celebration, Armand Gamache and Jean-Guy Beauvoir find themselves increasingly worried. A young man and woman have reappeared in the Sûreté du Québec investigators’ lives after many years. The two were young children when their troubled mother was murdered, leaving them damaged, shattered. Now they’ve arrived in the village of Three Pines.
But to what end?
Gamache and Beauvoir’s memories of that tragic case, the one that first brought them together, come rushing back. Did their mother’s murder hurt them beyond repair? Have those terrible wounds, buried for decades, festered and are now about to erupt?
As Chief Inspector Gamache works to uncover answers, his alarm grows when a letter written by a long dead stone mason is discovered. In it the man describes his terror when bricking up an attic room somewhere in the village. Every word of the 160-year-old letter is filled with dread. When the room is found, the villagers decide to open it up.
As the bricks are removed, Gamache, Beauvoir and the villagers discover a world of curiosities. But the head of homicide soon realizes there’s more in that room than meets the eye. There are puzzles within puzzles, and hidden messages warning of mayhem and revenge.
In unsealing that room, an old enemy is released into their world. Into their lives. And into the very heart of Armand Gamache’s home.

A year has passed since LAPD detective Renée Ballard quit the force in the face of misogyny, demoralization, and endless red tape. Yet, after the chief of police himself tells her she can write her ticket within the department, Ballard takes back her badge, leaving “the Late Show” to rebuild and lead the cold case unit at the elite Robbery-Homicide Division.
For years, Harry Bosch has been working a case that haunts him—the murder of an entire family by a psychopath who still walks free. Ballard makes Bosch an offer: come work with her as a volunteer investigator in the new Open-Unsolved Unit, and he can pursue his “white whale” with the resources of the LAPD behind him.
First priority for Ballard is to clear the unsolved rape and murder of a sixteen-year-old girl. The decades-old case is essential to the councilman who supported re-forming the unit, and who could shutter it again—the victim was his sister. When Ballard gets a “cold hit” connecting the killing to a similar crime, proving that a serial predator has been at work in the city for years, the political pressure has never been higher. To keep momentum going, she must pull Bosch off his all-consuming investigation, the case that is the consummation of his lifelong mission.

Chief medical examiner Kay Scarpetta is the reluctant star witness in a sensational murder trial when she receives shocking news. The judge’s sister has been found dead. At first glance, it appears to be a home invasion, but then why was nothing stolen, and why is the garden strewn with dead plants and insects?

Although there is no apparent cause of death, Scarpetta recognizes telltale signs of the unthinkable, and she knows the worst is yet to come. The forensic pathologist finds herself pitted against a powerful force that returns her to the past, and her time to catch the killer is running out . . .

In New York Times bestselling author Anthony Horowitz’s ingenious fourth literary whodunit following The Word is Murder, The Sentence is Death, and A Line to Kill, Horowitz becomes the prime suspect in a murder investigation—and only one man can prove his innocence: his newly estranged partner in solving crime, Detective Hawthorne.

“I’m sorry but the answer’s no.” Reluctant author, Anthony Horowitz, has had enough. He tells ex-detective Daniel Hawthorne that after three books he’s splitting and their deal is over.

The truth is that Anthony has other things on his mind.

His new play, a thriller called Mindgame, is about to open at the Vaudeville Theater in London’s West End. Not surprisingly, Hawthorne declines a ticket to the opening night.

The play is panned by the critics. In particular, Sunday Times critic Margaret Throsby gives it a savage review, focusing particularly on the writing. The next day, Throsby is stabbed in the heart with an ornamental dagger which turns out to belong to Anthony, and has his fingerprints all over it.

Anthony is arrested by an old enemy . . . Detective Inspector Cara Grunshaw. She still carries a grudge from her failure to solve the case described in the second Hawthorne adventure, The Sentence is Death, and blames Anthony. Now she’s out for revenge.

Thrown into prison and fearing for both his personal future and his writing career, Anthony is the prime suspect in Throsby’s murder and when a second theatre critic is found to have died in mysterious circumstances, the net closes in. Ever more desperate, he realizes that only one man can help him.

But will Hawthorne take the call?

Although badly scarred and down to his last kidney after the previous caper, Happy Doll is back in business. When a beguiling young woman turns up at his door, it’s Doll’s past that comes knocking. Mary DeAngelo is searching for her estranged mother, Ines Candle—a singular and troubled woman Doll once loved. The last he’d seen her she’d been near-death: arms slit like envelopes. Although she survived the episode, she vanished shortly thereafter. Now, years later, Mary claims Ines is alive and has recently made contact—messaging her on Facebook and calling her from a burner phone—only to disappear once again. Although his psychoanalyst would discourage it, Doll takes the case, desperate to see Ines again. But as the investigation deepens, there are questions he can’t shake. What’s led the flighty Ines to reappear? Is Mary only relaying half the truth? And who is Mary’s strange and mysterious husband?

Yo soy quien soy. I am who I am.

Luna—or depending on who’s asking, Rose—is the white-passing daughter of an immigrant mother who has seen what happens to people from her culture. This world is prejudicial, and she must hide her identity in pursuit of owning an illegal jazz club. Using her cunning powers, Rose negotiates with dangerous criminals as she climbs up Kansas City’s bootlegging ladder. Luna, however, runs the risk of losing everything if the crooked city councilmen and ruthless mobsters discover her ties to an immigrant boxcar community that secretly houses witches. Last thing she wants is to put her entire family in danger.

But this bruja with ever-growing magical abilities can never resist a good fight. With her new identity, Rose, an unabashed flapper, defies societal expectations all the while struggling to keep her true self and witchcraft in check. However, the harder she tries to avoid scrutiny, the more her efforts eventually capture unwanted attention. Soon, she finds herself surrounded by greed and every brand of bigotry—from local gangsters who want a piece of the action and businessmen who hate her diverse staff to the Ku Klux Klan and Al Capone. Will her earth magic be enough to save her friends and family? As much as she hates to admit it, she may need to learn to have faith in others—and learning to trust may prove to be her biggest ambition yet.

Of all the things aspiring artist Haven Marbury expected to find while clearing out her late father’s remote seaside house, Bedtime Stories for Monsters was not on the list. This secret handwritten manuscript is disturbingly different from his Pulitzer-winning works: its interweaving short stories crawl with horrific monsters and enigmatic humans that exist somewhere between this world and the next. The stories unsettle but also entice Haven, practically compelling her to illustrate them while she stays in the house that her father warned her was haunted. Clearly just dementia whispering in his ear . . . right?
Reeling from a failed marriage, Haven hopes an illustrated Bedtime Stories can be the lucrative posthumous father-daughter collaboration she desperately needs to jump-start her art career. However, everyone in the nearby vacation town wants a piece of the manuscript: her father’s obsessive literary salon members, the Ink Drinkers; her mysterious yet charming neighbor, who has a tendency toward three a.m. bonfires; a young barista with a literary forgery business; and of course, whoever keeps trying to break into her house. But when a monstrous creature appears under Haven’s bed right as grisly deaths are reported in the nearby woods, she must race to uncover dark, otherworldly family secrets—completely rewriting everything she ever knew about herself in the process.

Jane MacGuire is enjoying a period of domestic bliss as she focuses on her art and her partner Seth Caleb uses his unique abilities as an agent for the MI6 intelligence service.  But when Seth crosses crime lord Hugh Bohdan, he incurs the wrath of one of the world’s most powerful criminal empires…one whose tentacles reach across the globe and even to the idyllic Scottish retreat where Jane is working.  
Soon Jane is on the run, struggling to stay one step ahead of Bohdan’s army and his devastating high-tech weaponry. Even with the assistance of Earl John MacDuff, she finds danger at every turn.  But with that peril comes an astonishing discovery: a 200-year-old secret on the brink of becoming lost to history.
Jane and Seth must join forces to unlock the fascinating puzzle, even as they hurtle toward a lethal final confrontation in the Highlands.  But before their adventure is over, Jane and Seth will encounter their biggest shock of all…and realize nothing can be the same for them ever again. 

Max Rupert has left his position as a Minneapolis homicide detective to live in solitude. Mourning the tragic death of his wife, he's also racked by guilt—he alone knows what happened to her killer. But then the former local sheriff, Lyle Voight, arrives with a desperate plea: Lyle’s daughter Sandy and his six-year-old grandson Pip have disappeared. Lyle’s certain Sandy's ex-husband Reed is behind it, but the new sheriff is refusing to investigate. 
When Max reluctantly looks into their disappearance, he too becomes convinced something has gone very wrong. But the closer Max and Lyle get to finding proof, the more slippery Reed becomes, until he makes a break for the beautiful but formidable Boundary Waters wilderness with vulnerable Pip in tow.
Racing after the most dangerous kind of criminal—a desperate father—and with the ghosts of their own pasts never far behind, Max and Lyle go on the hunt within a treacherous landscape, determined to bring an evil man to justice, and to bring a terrified child home alive. 

It’s Christmastime in Shady Palms, but things are far from jolly for Lila Macapagal. Sure, her new business, the Brew-ha Cafe, is looking to turn a profit in its first year. And yes, she’s taken the first step in a new romance with her good friend Jae Park. But her cousin Ronnie is back in town after ghosting the family fifteen years ago, claiming that his recent purchase of a local winery shows that he’s back on his feet and ready to contribute to the Shady Palms community. Tita Rosie is thrilled with the return of her prodigal son, but Lila knows that wherever Ronnie goes, trouble follows.
She’s soon proven right when Ronnie is suspected of murder, and secrets surrounding her shady cousin and those involved with the winery start piling up. Now Lila has to put away years of resentment and distrust to prove her cousin’s innocence. He may be a jerk, but he’s still family. And there’s no way her flesh and blood could actually be a murderer . . . right?

What could be more restful, more restorative, than a weekend getaway with family and friends? An isolated luxury cabin in the woods, complete with spectacular views, a hot tub and a personal chef. Hannah’s loving and generous tech-mogul brother found the listing online. The reviews are stellar. It’s his birthday gift to Hannah and includes their spouses and another couple. The six friends need this trip with good food, good company and lots of R & R, far from the chatter and pressures of modern life.
But the dreamy weekend is about to turn into a nightmare. A deadly storm is brewing. The rental host seems just a little too present. The personal chef reveals that their beautiful house has a spine-tingling history. And the friends have their own complicated past, with secrets that run blood deep. How well does Hannah know her brother, her own husband? Can she trust her best friend? And who is the new boyfriend, crashing their party? Meanwhile, someone is determined to ruin the weekend, looking to exact a payback for deeds long buried. Who is the stranger among them?

Brandi Maxwell is living the dream as an intern at prestigious New York fashion house Simon Van Doren. Except “living the dream” looks more like scrubbing puke from couture dresses worn by hard-partying models and putting up with microaggressions from her white colleagues. Still, she can’t help but fangirl over Simon’s it-girl daughter, Taylor. Until one night, at a glamorous Van Doren party, when Brandi overhears something she shouldn’t have, and her fate becomes dangerously intertwined Taylor’s.
Model and influencer Taylor Van Doren has everything…and is this close to losing it all. Her fashion mogul father will donate her inheritance to charity if she fails her next drug test, and he’s about to marry someone nearly as young as Taylor, further threatening her stake in the family fortune. But Taylor deserves the money that’s rightfully hers. And she’ll go to any lengths to get it, even if that means sacrificing her famous father in the process.
All she needs is the perfect person to take the fall…