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Back when Harry Bosch was just a rookie homicide detective, he had an inspiring mentor who taught him to take the work personally and light the fire of relentlessness for every case. Now that mentor, John Jack Thompson, is dead, and his widow gives Bosch a murder book, one that Thompson took with him when he left the LAPD twenty years before — the unsolved killing of a troubled young man.
Bosch takes the murder book to Detective Renée Ballard and asks her to help him discover what about this crime lit Thompson’s fire all those years ago. As she begins her inquiries — while still working her own cases on the midnight shift — Ballad finds aspects of the initial investigation that just don’t add up.
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Bosch arrived late and had to park on a cemetery lane far from the grave site. Careful not to step on anybody’s grave, he limped through two memorial sections, his cane sinking into the soft ground, until he saw the gathering for John Jack Thompson. It was standing room only around the old detective’s grave site and Bosch knew that wouldn’t work with his knee six weeks post-op. He retreated to the nearby Garden of Legends section and sat on a concrete bench that was part of Tyrone Power’s tomb. He assumed it was okay since it was clearly a bench. He remembered his mother taking him to see Power in the movies when he was a kid. Old stuff they would run in the revival theaters on Beverly. He remembered the handsome actor as Zorro and as the accused American in Witness for the Prosecution. He had died on the job, suffering a heart attack while filming a dueling scene in Spain. Bosch had always thought it wasn’t a bad way to go—doing what you loved.
The service for Thompson lasted a half hour. Bosch was too far away to hear what was said but he could guess. John Jack—he was always called that—was a good man who gave forty years of service to the Los Angeles Police Department in uniform and as a detective. He put many bad people away and taught generations of detectives how to do the same.
One of them was Bosch—paired with the legend as a newly minted homicide detective in Hollywood Division more than three decades earlier. Among other things, John Jack had taught Bosch how to read the tells of a liar in an interrogation room. John Jack always knew when somebody was lying. He once told Bosch it took a liar to know a liar but never explained how he had come by that piece of wisdom.
Their pairing had lasted only two years because Bosch trained well and John Jack was needed to break in the next new homicide man, but the mentor and student had stayed in touch through the years. Bosch spoke at Thompson’s retirement party, recounting the time they were working a murder case and John Jack pulled over a bakery delivery truck when he saw it turn right at a red light without first coming to a complete stop. Bosch questioned why they had interrupted their search for a murder suspect for a minor traffic infraction and John Jack said it was because he and his wife, Margaret, were having company for dinner that night and he needed to bring home a dessert. He got out of their city-ride, approached the truck, and badged the driver. He told him he had just committed a two-pie traffic offense. But being a fair man, John Jack cut a deal for one cherry pie and came back to the city car with that night’s dessert.
Those kinds of stories and the legend of John Jack Thompson had dimmed in the twenty years since his retirement, but the gathering around his grave was thick and Bosch recognized many of the men and women he had worked with during his own time with an LAPD badge. He suspected the reception at John Jack’s house after the service was going to be equally crowded and might last into the night.
Bosch had been to too many funerals of retired detectives to count. His generation was losing the war of attrition. This one was high-end, though. It featured the official LAPD honor guard and pipers. That was a nod to John Jack’s former standing in the department. “Amazing Grace” echoed mournfully across the cemetery and over the wall that divided it from Paramount Studios.
After the casket was lowered and people started heading back to their cars, Bosch made his way across the lawn to where Margaret remained seated, a folded flag in her lap. She smiled at Bosch as he approached.
“Harry, you got my message,” she said. “I’m glad you came.”
“Wouldn’t miss it,” Bosch said.
He leaned down, kissed her cheek, and squeezed her hand.
“He was a good man, Margaret,” he said. “I learned a lot from him.”
“He was,” she said. “And you were one of his favorites. He took great pride in all of the cases you closed.”
Bosch turned and looked down into the grave. John Jack’s box appeared to have been made of stainless steel.
“He picked it,” Margaret said. “He said it looked like a bullet.”
“I’m sorry I didn’t get over to see him,” he said. “Before the end.”
“It’s okay, Harry,” she said. “You had your knee. How is it doing?”
“Better every day. I won’t need this cane much longer.”
“When John Jack had his knees done he said it was a new lease on life. That was fifteen years ago.”
Bosch just nodded. He thought a new lease on life was a little optimistic.
“Are you coming back to the house?” Margaret asked. “There is something there for you. From him.”
Bosch looked at her.
“You’ll see. Something I would give only to you.”
Bosch saw members of the family gathered by a couple of stretch limos in the parking lane. It looked like two generations of children.
“Can I walk you over to the limo?” Bosch asked.
“That would be nice, Harry,” Margaret said.
Bosch had picked up a cherry pie that morning at Gelson’s and that was what had made him late to the funeral. He carried it into the bungalow on Orange Grove, where John Jack and Margaret Thompson had lived for more than fifty years. He put it on the dining room table with the other plates and trays of food.
The house was crowded. Bosch said hellos and shook a few hands as he pushed his way through the knots of people, looking for Margaret. He found her in the kitchen, oven mitts on and getting a hot pan out of the oven. Keeping busy.
“Harry,” she said. “Did you bring the pie?”
“Yes,” he said. “I put it on the table.”
She opened a drawer and gave Bosch a spatula and a knife.
“What were you going to give me?” Bosch asked.
“Just hold your horses,” Margaret said. “First cut the pie, then go back to John Jack’s office. Down the hall, on the left. It’s on his desk and you can’t miss it.”
Bosch went into the dining room and used the knife she had given him to cut the pie into eight slices. He then made his way again through the people crowded in the living room to the hallway that led back to John Jack’s home office. He had been there before. Years earlier, when they worked cases together, after a long shift Bosch would often end up at the Thompson house for a late meal prepared by Margaret and a strategy session with John Jack. Sometimes Bosch would take the couch in the home office and sleep a few hours before getting back to work on the case. He even kept spare clothes in the office closet. Margaret always left a fresh towel for him in the guest bathroom.
The door was closed and for some reason he knocked, even though he knew no one should be in there.
He opened the door and entered a small cluttered office with shelves on two walls and a desk pushed up against a third under a window. The couch was still there, across from the window. Sitting on a green blotter on the desk was a thick blue plastic binder with three inches of documents inside.
It was a murder book.
Ballard studied what she could see of the remains with an unflinching eye. The smell of kerosene mixed with that of burned flesh was overpowering this close, but she stood her ground. She was in charge of the scene until the fire experts arrived. The nylon tent had melted and collapsed on the victim. It tightly shrouded the body in places where the fire had not completely burned through. The body seemed to be in repose and she wondered how he could have slept through it. She also knew that toxicity tests would determine his alcohol and drug levels. Maybe he never felt a thing.
Ballard knew it would not be her case but she pulled out her phone and took photos of the body and the scene, including close-ups of the overturned camping heater, the presumed source of the blaze. She then opened the temperature app on the phone and noted that the current temperature listed for Hollywood was 52 degrees. That would go in her report and be forwarded to the Fire Department’s arson unit.
She stepped back and looked around. It was 3:15 a.m. and Cole Avenue was largely deserted, except for the homeless people who had come out of the tents and cardboard shanties that lined the sidewalk running alongside the Hollywood Recreation Center. They stared both wide-eyed and addled as the investigation into the death of one of their own proceeded.
“How’d we get this?” Ballard asked.
Stan Dvorek, the patrol sergeant who had called her out, stepped over. He had worked the late-show shift longer than anybody at Hollywood Division—more than ten years. Others on the shift called him “The Relic,” but not to his face.
“FD called us,” he said. “They got it from communications. Somebody driving by saw the flames and called it in as a fire.”
“They get a name on the PR?” Ballard asked.
“He didn’t give one. Called it in, kept driving.”
Two fire trucks were still on scene, having made the journey just three blocks down from Station 27 to douse the burning tent. The crews were standing by to be questioned.
“I’m going to take the fire guys,” Ballard said. “Why don’t you have your guys talk to some of these people, see if anybody saw anything.”
“Isn’t that arson’s job?” Dvorek asked. “They’re just going to have to reinterview if we find anybody worth talking to.”
“First on scene, Devo. We need to do this right.”
Ballard walked away, ending the debate. Dvorek might be the patrol supervisor but Ballard was in charge of the crime scene. Until it was determined that the fatal fire was an accident she would treat it as a crime scene.
She walked over to the waiting firefighters and asked which of the two crews was first on scene. She then asked the six firefighters assigned to the first truck what they saw. The information she received from them was thin. The tent fire had almost burned itself out by the time the fire-rescue team arrived. Nobody saw anyone around the blaze or nearby in the park. No witnesses, no suspects. A fire extinguisher from the truck had been used to douse the remaining flames, and the victim was pronounced dead and was therefore not transported to a hospital.
From there Ballard took a walk up and down the block, looking for cameras. The homeless encampment ran along the city park’s outdoor basketball courts, where there were no security cameras. On the west side of Cole was a line of one-story warehouses inhabited by prop houses and equipment-rental houses catering to the film and television industry. Ballard saw a few cameras but suspected that they were either dummies or set at angles that would not be helpful to the investigation.
When she got back to the scene, she saw Dvorek conferring with two of his patrol officers. Ballard recognized them from the morning-watch roll call at Hollywood Division.
“Anything?” Ballard asked.
“About what you’d expect,” Dvorek said. “‘I didn’t see nothin’, I didn’t hear nothin’, I don’t know nothin’.’ Waste of time.”
Ballard nodded. “Had to be done,” she said.
“So where the fuck is arson?” Dvorek asked. “I need to get my people back out.”
“Last I heard, in transit. They don’t run twenty-four hours, so they had to roust a team from home.”
“Jesus, we’ll be waiting out here all night. Did you roll the coroner out yet?”
“On the way. You can probably clear half your guys and yourself. Just leave one car here.”
“You got it.”
Dvorek went off to issue new orders to his officers. Ballard walked back to the immediate crime scene and looked at the tent that had melted over the dead man like a shroud. She was staring down at it when peripheral movement caught her eye. She looked up to see a woman and a girl climbing out of a shelter made of a blue plastic tarp tied to the fence that surrounded the basketball court. Ballard moved quickly to them and redirected them away from the body.
“Honey, you don’t want to go over there,” she said. “Come this way.”
She walked them down the sidewalk to the end of the encampment.
“What happened?” the woman asked.
Ballard studied the girl as she answered.
“Somebody got burned,” she said. “Did you see anything? It happened about an hour ago.”
“We were sleeping,” the woman said. “She’s got school in the morning.”
The girl had still not said anything.
“Why aren’t you in a shelter?” Ballard asked. “This is dangerous out here. That fire could’ve spread.”
She looked from the mother to the daughter.
“How old are you?”
The girl had large brown eyes and brown hair and was slightly overweight. The woman stepped in front of her and answered Ballard.
“Please don’t take her from me.”
Ballard saw the pleading look in the woman’s brown eyes.
“I’m not here to do that. I just want to make sure she’s safe. You’re her mother?”
“Yes. My daughter.”
“What’s her name?”
Ballard leaned down to talk to the girl. She had her eyes cast down.
“Mandy? Are you okay?”
“Would you want me to try to get you and your mother into a shelter for women and children? It might be better than being out here.”
Mandy looked up at her mother when she answered.
“No. I want to stay here with my mother.”
“I’m not going to separate you. I will take you and your mother if you want.”
The girl looked up at her mother again for guidance.
“You put us in there and they will take her away,” the mother said. “I know they will.”
“No, I’ll stay here,” the girl said quickly.
“Okay,” Ballard said. “I won’t do anything, but I don’t think this is where you should be. It’s not safe out here for either of you.”
“The shelters aren’t safe either,” the mother said. “People steal all your stuff.”
Ballard pulled out a business card and handed it to her.
“Call me if you need anything,” she said. “I work the midnight shift. I’ll be around if you need me.”
The mother took the card and nodded. Ballard’s thoughts returned to the case. She turned and gestured toward the crime scene.
“Did you know him?” she asked.
“A little,” the mother said. “He minded his own business.”
“Do you know his name?”
“Uh, I think it was Ed. Eddie, he said.”
“Okay. Had he been here a long time?”
“A couple months. He said he had been over at Blessed Sacrament but it was getting too crowded for him.”
Ballard knew that Blessed Sacrament on Sunset allowed the homeless to camp on the front portico. She drove by it often and knew it to be heavily crowded at night with tents and makeshift shelters, all of which disappeared at daylight before church services began.
Hollywood was a different place in the dark hours, after the neon and glitter had dimmed. Ballard saw the change every night. It became a place of predators and prey and nothing in between, a place where the haves were comfortably and safely behind their locked doors and the have-nots freely roamed. Ballard always remembered the words of a late-show patrol poet. He called them human tumbleweeds moving with the winds of fate.
“Did he have any trouble with anybody here?” she asked.
“Not that I saw,” said the mother.
“Did you see him last night?”
“No, I don’t think so. He wasn’t around when we went to sleep.”
Ballard looked at Amanda to see if she had a response but was interrupted by a voice from behind.
Ballard turned around. It was one of Dvorek’s officers. His name was Rollins. He was new to the division or he wouldn’t have been so formal.
“The guys from arson are here. They—”
“Okay. I’ll be right there.”
She turned back to the woman and her daughter.
“Thank you,” she said. “And remember, you can call me anytime.”
As Ballard headed back toward the body and the men from arson, she couldn’t help remembering again that line about tumbleweeds. Written on a field interview card by an officer Ballard later learned had seen too much of the depressing and dark hours of Hollywood and taken his own life.
The men from arson were named Nuccio and Spellman. Following LAFD protocol, they were wearing blue coveralls with the LAFD badge on the chest pocket and the word ARSON across the back. Nuccio was the senior investigator and he said he would be lead. Both men shook Ballard’s hand before Nuccio announced that they would take the investigation from there. Ballard explained that a cursory sweep of the homeless encampment had produced no witnesses, while a walk up and down Cole Avenue had found no cameras with an angle on the fatal fire. She also mentioned that the coroner’s office was rolling a unit to the scene and a criminalist from the LAPD lab was en route as well.
Nuccio seemed uninterested. He handed Ballard a business card with his e-mail address on it and asked that she forward the death report she would write up when she got back to Hollywood Station.
“That’s it?” Ballard asked. “That’s all you need?”
She knew that LAFD arson experts had law enforcement and detective training and were expected to conduct a thorough investigation of any fire involving a death. She also knew they were competitive with the LAPD in the way a little brother might be with his older sibling. The arson guys didn’t like being in the LAPD’s shadow.
“That’s it,” Nuccio said. “You send me your report and I’ll have your e-mail. I’ll let you know how it all shakes out.”
“You’ll have it by dawn,” Ballard said. “You want to keep the uniforms here while you work?”
“Sure. One or two of them would be nice. Just have them watch our backs.”
Ballard walked away and over to Rollins and his partner, Randolph, who were waiting by their car for instructions. She told them to stand by and keep the scene secure while the investigation proceeded.
Ballard used her cell to call the Hollywood Division watch office and report that she was about to leave the scene. The lieutenant was named Washington. He was a new transfer from Wilshire Division. Though he had previously worked Watch Three, as the midnight shift was officially called, he was still getting used to things at Hollywood Division. Most divisions went quiet after midnight but Hollywood rarely did. That was why they called it the Late Show.
“LAFD has no need for me here, L-T,” Ballard said.
“What’s it look like?” Washington asked.
“Like the guy kicked over his kerosene heater while he was sleeping. But we’ve got no wits or cameras in the area. Not that we found, and I’m not thinking the arson guys are going to look too hard beyond that.”
Washington was silent for a few moments while he came to a decision.
“All right, then come back to the house and write it up,” he finally said. “They want it all by themselves, they can have it.”
“Roger that,” Ballard said. “I’m heading in.”
She disconnected and walked over to Rollins and Randolph, telling them she was leaving the scene and that they should call her at the station if anything new came up.
The station was only five minutes away at four in the morning. The rear parking lot was quiet as Ballard headed to the back door. She used her key card to enter and took the long way to the detective bureau so that she could go through the watch office and check in with Washington. He was only in his second deployment period and still learning and feeling his way. Ballard had been purposely wandering through the watch office two or three times a shift to make herself familiar to Washington. Technically her boss was Terry McAdams, the division’s detective lieutenant, but she almost never saw him because he worked days. In reality, Washington was her boots-on-the-ground boss and she wanted to solidly establish the relationship.
Washington was behind his desk looking at his deployment screen, which showed the GPS locations of every police unit in the division. He was tall, African-American, with a shaved head.
“How’s it going?” Ballard asked.
“All quiet on the western front,” Washington said.
His eyes were squinted and holding on a particular point on the screen. Ballard pivoted around the side of his desk so she could see it too.
“What is it?” she asked.
“I’ve got three units at Seward and Santa Monica,” Washington said. “I’ve got no call there.”
Ballard pointed. The division was divided into thirty-five geographic zones called reporting districts and these were in turn covered by seven basic car areas. At any given time there was a patrol in each car area, with other cars belonging to supervisors like Sergeant Dvorek, who had division-wide patrol responsibilities.
“You’ve got three basic car areas that are contiguous there,” she said. “And that’s where an all-night mariscos truck parks. They can all code seven there without leaving their zones.”
“Got it,” Washington said. “Thanks, Ballard. Good to know.”
“No problem. I’m going to go brew a fresh pot in the break room. You want a cup?”
“Ballard, I might not know about that mariscos truck out there, but I know about you. You don’t need to be fetching coffee for me. I can get my own.”
Ballard was surprised by the answer and immediately wanted to ask what exactly Washington knew about her. But she didn’t.
“Got it,” she said instead.
She walked back down the main hall and then hooked a left down the hallway that led to the detective bureau. As expected, the squad room was deserted. Ballard checked the wall clock and saw that she had over two hours until the end of her shift. That gave her plenty of time to write up the report on the fire death. She headed to the cubicle she used in the back corner. It was a spot that gave her a full view of the room and anybody who came in.
- "The Night Fire offers more than a few incendiary surprises."—Paula L. Woods, Los Angeles Times
- "Connelly is the Raymond Chandler of this generation, and readers will be studying his writing methods decades from now. He has created another novel that feels authentic on every level, and the underlying theme of mortality running through the narrative makes everything in the story more urgent."—Jeff Ayers, Associated Press
- "There's something for everyone in this jam-packed plot: murder, arson, professional rivalry, salty cop talk and noisy domestic disputes that turn very ugly very quickly. Me, I go for the procedural details: who does what and how things get done from the minute the cops on shift at the Hollywood Division are sent to investigate a murder. Connelly is pretty much the current dean of procedural writers."—Marilyn Stasio, New York Times Book Review
- "Breathless action...deep character studies...The Night Fire is Connelly's twenty first outing with Bosch, but the author has so much more to show us about him. Only three books in, Ballard has even more fodder for Connelly to uncover. In The Night Fire, Connelly again shows his mission: strong plots and sturdy characters."—Oline Cogdill, Sun Sentinel
- "A virtuoso performance...The Night Fire glows with the instincts and intelligence Bosch and Ballard bring to their pursuit of the truth."—Collette Bancroft, Tampa Bay Times
- "One of the greatest crime writers of all time...Connelly continues to deliver winner after winner, year in and year out...reading one of his books is an experience unlike anything else the genre has to offer."—Ryan Steck, Crimereads
- "Connelly is without peer when it comes to police procedurals, and once again proves that he's the modern master of the form."—Publishers Weekly (starred review)
- "Remarkable narrative legerdemain...Not only has Connelly created another fully formed series lead in Renée, who has her own fascinating backstory, but he has also forged a fascinating yin-and-yang relationship between the old school Harry and the unconventional loner Renèe...Master chef Connelly has once again combined familiar ingredients into a new and completely satisfying dish. Connelly is on a roll, with three consecutive number-one New York Times bestsellers. Don't bet against number four."—Bill Ott, Booklist (starred review)
- "Connelly manages to top himself with his latest intensely gripping thriller...He tells a superb tale with an economy of words using a no-nonsense, fly-on-the-wall style of writing...Fans of this prolific author of crime dramas and either series will find this best-seller-list-bound novel hard to put down."—Library Journal (starred review)
- PRAISE FOR DARK SACRED NIGHT:
- "Spectacular...Dark Sacred Night is ingenious, frantically suspenseful, and very, very bleak."—Maureen Corrigan, Washington Post
- "Readers know that when they pick up a Michael Connelly novel they will get a compelling and well-written dive into the world of crime and law enforcement...What makes Connelly so much better than most crime fiction writers is that his police detectives are human and real. The combination is quality."—Jeff Ayers, Associated Press
- "Michael Connelly is superhuman...His hallmark has been his precise, faultless plotting...He's always been especially good when it comes to truly creepy killers, and his denouement here is thrilling."—Charles Finch, USA Today
- "It was only last year that Connelly introduced Ballard, a fierce and fascinating new protagonist who instantly emerged as a reader favorite. Bosch, meanwhile, is a grizzled veteran by now; Dark Sacred Night marks the 21st novel to center on him. But fans always finish eager to come back for more."—David Canfield, Entertainment Weekly
- "One of the best and most affecting Bosch novels since Mr. Connelly began the Bosch saga in 1992...It seems as is the vulnerable Harry Bosch has met the sympathetic Renée Ballard just in the nick of time."—Tom Nolan, Wall Street Journal
- On Sale
- Oct 27, 2020
- Page Count
- 512 pages
- Grand Central Publishing