The Best Crime Fiction From March
March is wrapping up and we’re enamored by all the crime fiction books that have recently hit the shelves. It’s a good month for crime fiction fans. From diverse murder mysteries to literary suspense and the tried and true by some of our favorite names in the crime fiction genre, we’re excited to read (or even reread) all of these outstanding titles. Whether you’re looking for something new and fresh or you want to settle into the pages of your favorite New York Times bestselling author, we have got you covered. Here are ten of the best mysteries & thrillers that made our TBR list this March.
Wealthy Washington suburbanites Marissa and Matthew Bishop seem to have it all—until Marissa is unfaithful. Beneath their veneer of perfection is a relationship riven by work and a lack of intimacy. She wants to repair things for the sake of their eight-year-old son and because she loves her husband. Enter Avery Chambers.
Avery is a therapist who lost her professional license. Still, it doesn’t stop her from counseling those in crisis, though they have to adhere to her unorthodox methods. And the Bishops are desperate.
When they glide through Avery’s door and Marissa reveals her infidelity, all three are set on a collision course. Because the biggest secrets in the room are still hidden, and it’s no longer simply a marriage that’s in danger.
In 1925, Miss Nan O’Dea infiltrated the wealthy, rarefied world of author Agatha Christie and her husband, Archie. In every way, she became a part of their life––first, both Christies. Then, just Archie. Soon, Nan became Archie’s mistress, luring him away from his devoted wife, desperate to marry him. Nan’s plot didn’t begin the day she met Archie and Agatha.
It began decades before, in Ireland, when Nan was a young girl. She and the man she loved were a star-crossed couple who were destined to be together––until the Great War, a pandemic, and shameful secrets tore them apart. Then acts of unspeakable cruelty kept them separated.
What drives someone to murder? What will someone do in the name of love? What kind of crime can someone never forgive? Nina de Gramont’s brilliant, unforgettable novel explores these questions and more.
Nell Young’s whole life and greatest passion is cartography. Her father, Dr. Daniel Young, is a legend in the field and Nell’s personal hero. But she hasn’t seen or spoken to him ever since he cruelly fired her and destroyed her reputation after an argument over an old, cheap gas station highway map.
But when Dr. Young is found dead in his office at the New York Public Library, with the very same seemingly worthless map hidden in his desk, Nell can’t resist investigating. To her surprise, she soon discovers that the map is incredibly valuable and exceedingly rare. In fact, she may now have the only copy left in existence . . . because a mysterious collector has been hunting down and destroying every last one—along with anyone who gets in the way.
But why?
To answer that question, Nell embarks on a dangerous journey to reveal a dark family secret and discovers the true power that lies in maps . . .
In the Buenos Aires art world, a master forger has achieved legendary status. Rumored to be a woman, she specializes in canvases by the painter Mariette Lydis, a portraitist of Argentinean high society. But who is this absurdly gifted creator of counterfeits? What motivates her? And what is her link to the community of artists who congregate, night after night, in a strange establishment called the Hotel Melancólico?
On the trail of this mysterious forger is our narrator, an art critic and auction house employee through whose hands counterfeit works have passed. As she begins to take on the role of art-world detective, adopting her own methods of deception and manipulation, she warns us “not to proceed in expectation of names, numbers or dates . . . My techniques are those of the impressionist.”
Estee, a seasoned curator for a small Massachusetts auction house, makes an astonishing find: the original manuscript of Sylvia Plath’s semi-autobiographical novel, The Bell Jar, written by hand in her journals fifty-five years earlier. Vetting the document, Estee will discover she’s connected to Plath’s legacy in an unexpected way.
Plath’s psychiatrist, Dr. Ruth Barnhouse, treats Plath during the dark days she spends at McLean Hospital following a suicide attempt, and eventually helps set the talented poet and writer on a path toward literary greatness.
Poet Boston Rhodes, a malicious literary rival, pushes Plath to write about her experiences at McLean, tipping her into a fatal spiral of madness and ultimately forging her legacy.
After months away, Wilde has returned to the Ramapo Mountains in the wake of a failed bid at domesticity that confirms what he’s known all along: He belongs on his own, free from the comforts and constraints of modern life.
Suddenly, a DNA match on an online ancestry database brings Wilde closer to his past than he’s ever dreamed, and finally gives Wilde the opening he needs to track down his father. But meeting the man brings up more questions than answers. So Wilde reaches out to his last, most desperate lead, a second cousin who disappears as quickly as he resurfaces, having experienced an epic fall from grace that can only be described as a waking nightmare.
Was his cousin’s downfall a long time coming? Or was he the victim of a conspiracy as cunning as it is complex? And how does it all connect to the man once known as The Stranger, a treacherous fugitive with a growing following whose mission and methods have only turned more dangerous with time?
Every song tells a story.
She’s a star on the rise, singing about the hard life behind her.
She’s also on the run. Find a future, lose a past.
Nashville is where she’s come to claim her destiny. It’s also where the darkness she’s fled might find her. And destroy her.
It’s 1975 and the comic book industry is struggling, but Carmen Valdez doesn’t care. She’s an assistant at Triumph Comics, which doesn’t have the creative zeal of Marvel nor the buttoned-up efficiency of DC, but it doesn’t matter. Carmen is tantalizingly close to fulfilling her dream of writing a superhero book.
That dream is nearly a reality when one of the Triumph writers enlists her help to create a new character, which they call “The Lethal Lynx,” Triumph's first female hero. But her colleague is acting strangely and asking to keep her involvement a secret. And then he’s found dead, with all of their scripts turned into the publisher without her name. Carmen is desperate to piece together what happened to him, to hang on to her piece of the Lynx, which turns out to be a runaway hit. But that’s complicated by a surprise visitor from her home in Miami, a tenacious cop who is piecing everything together too quickly for Carmen, and the tangled web of secrets and resentments among the passionate eccentrics who write comics for a living.
Mina is trying to focus on her job as a flight attendant, not the problems with her five-year-old daughter back home, or the fissures in her marriage. But the plane has barely taken off when Mina receives a chilling note from an anonymous passenger, someone intent on ensuring the plane never reaches its destination: "The following instructions will save your daughter's life..."
Someone needs Mina's assistance and knows exactly how to make her comply.
When one passenger is killed and then another, Mina knows she must act. But which lives does she save: Her passengers...or her own daughter and husband who are in grave distress back at home?
It's twenty hours to landing. A lot can happen in twenty hours.
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