Gideon's Corpse


By Douglas Preston

By Lincoln Child

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A top nuclear scientist goes mad and takes an innocent family hostage at gunpoint, killing one and causing a massive standoff.
A plume of radiation above New York City leads to a warehouse where, it seems, a powerful nuclear bomb was assembled just hours before.
Sifting through the evidence, authorities determine that the unthinkable is about to happen: in ten days, a major American city will be vaporized by a terrorist attack.
Ten days. And Gideon Crew, tracking the mysterious terrorist cell from the suburbs of New York to the mountains of New Mexico, learns the end may be something worse–far worse–than mere Armageddon.


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The authors thank Patrick Allocco, Douglas Child, Douglas Webb, and Jon Couch for their invaluable assistance with certain details of this book.



GIDEON CREW STOOD at the window of the conference room, looking out over the former Meatpacking District of Manhattan. His gaze followed the tarred roofs of the old buildings, now hip boutiques and trendy restaurants; moved past the new High Line park thick with people; past the rotting piers; and came to rest on the broad expanse of the Hudson River. In the hazy sun of early summer, the river for a change looked like real water, the surface a mass of blue moving upstream with the incoming tide.

The Hudson reminded him of other rivers he had known, and streams and creeks, and his thoughts lingered on one stream in particular, high in the Jemez Mountains. He thought about a deep pool in it and the large cutthroat trout he was sure lurked in its dappled depths.

He couldn't wait to get the hell out of there, out of New York City, away from that withered gnome named Glinn and his mysterious company, Effective Engineering Solutions.

"I'm going fishing," he said.

Glinn shifted in his wheelchair and sighed. Gideon turned. The man's crippled hand appeared from under the blanket that was shrouding his knees. It contained a brown-paper package. "Your payment."

Gideon hesitated. "You're paying me? After what I did?"

"The fact is, based on what you've told me, our payment structure has changed." Glinn opened the package, counted out several banded bricks of hundreds, and laid them on the table in the conference room. "Here is half of the hundred thousand."

Gideon snatched it up before Glinn could change his mind.

Then, to his surprise, Glinn handed him the other half. "And here's the rest. Not as payment for services rendered, however. More in the way of, shall we say, an advance."

Gideon stuffed the money into his jacket pockets. "An advance on what?"

"Before you leave town," Glinn said, "I thought you might like to drop in on an old friend of yours."

"Thanks, but I've got a date with a cutthroat trout in Chihuahueños Creek."

"Ah, but I was so hoping you'd have time to see your friend."

"I don't have any friends. And if I did, I sure as hell wouldn't be interested in 'dropping in' on them right now. As you so kindly pointed out, I'm living on borrowed time."

"Reed Chalker is his name. I believe you worked with him?"

"We worked in the same Tech Area—that's not the same as working with him. I haven't seen the guy around Los Alamos in months."

"Well, you're about to see him now. The authorities are hoping you could have a little chat with him."

"The authorities? A chat? What the hell's this about?"

"At this moment, Chalker's got a hostage. Four of them, actually. A family in Queens. Held at gunpoint."

Gideon laughed. "Chalker? No way. The guy I knew was a typical Los Alamos geek, straight as an arrow, wouldn't hurt a fly."

"He's raving. Paranoid. Out of his mind. You're the only person within range who knows him. The police want you to calm him down, get him to release those hostages."

Gideon didn't reply.

"So I'm sorry to tell you, Dr. Crew, but that cutthroat trout is going to be enjoying life just a little bit longer. And now you really do need to go. That family can't wait."

Gideon felt a swell of outrage at the imposition. "Find someone else."

"No time. There are two children involved, along with their mother and father. It seems the father is Chalker's landlord, rented him a basement apartment in their row house. Frankly, we're very lucky you're here."

"I hardly knew Chalker. He stuck to me like a limpet—but only briefly, after his wife left him. Then he got religion and drifted away, much to my relief."

"Garza will take you over. You'll be liaising with Special Agent Stone Fordyce, FBI."

"Liaising? Why is the FBI involved?"

"It's standard operating procedure whenever someone with a high-level security clearance like Chalker gets into trouble, on the chance he might go, ah, out of school." Glinn fixed his lone good eye on Gideon. "This isn't some undercover operation like last time—​just a straightforward assignment. If all goes well, you should be on your way back to New Mexico in a day or two."

Gideon said nothing. He had eleven months of life left—or at least that's what they had told him. But then again, the more he thought about it, the more he began to wonder, and he intended to take the first opportunity to get a second opinion. Glinn was a master manipulator, and Gideon didn't trust either him or his people.

"If he's as crazy as you say, he might just turn that gun on me."

"Two kids. Eight and ten. Boy and a girl. And their parents."

Gideon turned, expelled a long breath. "Jesus. I'm giving you one day—​just one day. And I'm going to be pissed at you for a long, long time."

Glinn bestowed a cold smile on him.


THEY ARRIVED AT a scene of controlled chaos. The setting was a nondescript working-class street in the ironically named neighborhood of Sunnyside, Queens. The house was part of a long row of attached brick houses, facing an identical row across a street of cracked pavement. There were no trees on the block; the lawns were overgrown with weeds and brown from lack of rain. The air hummed with the roar of traffic on nearby Queens Boulevard, and a smell of car exhaust drifted in the air.

A cop showed them where to park, and they got out. The police had set up roadblocks and barricades at both ends of the street, and the place was packed with squad cars, their lightbars flashing. Garza showed ID and was waved through a barricade, which held back a seething crowd of rubberneckers, many drinking beer, a few even wearing funny hats and carrying on as if it were a block party.

New York City, thought Gideon with a shake of his head.

The police had cleared a large area in front of the house in which Chalker had taken hostages. Two SWAT teams had been deployed, one in a forward post behind an armored rescue vehicle, the other back behind a set of concrete barricades. Gideon could see snipers peeking above several rooftops. In the middle distance, he could hear the occasional blaring of a voice over a megaphone, apparently a hostage negotiator trying to talk Chalker down.

As Garza pushed toward the front, Gideon experienced a sudden flash of déjà vu, a spasm of nausea. This was the way his father had been killed, exactly like this: with the megaphones, the SWAT teams, the snipers and barricades—shot in cold blood, surrendering, with his hands up…Gideon fought to push the memory aside.

They passed through another set of barricades to an FBI command post. An agent detached himself from the group and came over.

"Special Agent Stone Fordyce," said Garza, introducing him. "Assistant commander of the FBI team on site. You'll be working with him."

Gideon eyed the man with instinctual hostility. The guy was straight out of a TV series, dressed in a blue suit, starched white shirt, and repp tie, ID hanging around his neck, tall, handsome, arrogant, self-assured, and ridiculously fit. His narrow blue eyes looked down at Gideon as if examining a lower form of life.

"So you're the friend?" asked Fordyce, his eyes lingering on Gideon, particularly on his clothes—black jeans, black Keds without laces, secondhand tuxedo shirt, thin scarf.

"I'm not the maiden aunt, if that's what you mean," Gideon replied.

"Here's the deal," the man went on, after a pause. "This friend of yours, Chalker, he's paranoid, delusional. Classic psychotic break. He's spouting a bunch of conspiracy ideas: that the government kidnapped him, used him for radiation experiments, and beamed rays into his head—the usual. He thinks his landlord and landlady are in on the conspiracy and he's taken them hostage, along with their two kids."

"What does he want?" Gideon asked.

"Incoherent. He's armed with what we think is a 1911-style Colt .45. He's fired it once or twice for show. Not sure if he actually knows how to use it. You got any knowledge of his prior experience with weapons?"

"I would've thought none," said Gideon.

"Tell me about him."

"Socially inept. Didn't have a lot of friends, got burdened with a world-class dysfunctional wife who put him through the wringer. Dissatisfied with his job, talked about wanting to become a writer. Finally ended up getting religion."

"Was he good at his job? Smart?"

"Competent but not brilliant. As for brains, he's way more intelligent than, say, the average FBI agent."

There was a silence as Fordyce took this in and did not react. "The brief says this guy designed nuclear weapons at Los Alamos. Right?"

"More or less."

"You think there's a chance he's got explosives rigged in there?"

"He may have worked with nuclear weapons, but a firecracker would've freaked him out. As for explosives—I sincerely doubt it."

Fordyce stared at him, went on. "He thinks everyone here is a government agent."

"He's probably right."

"We're hoping he'll trust someone out of his past. You."

Gideon could hear in the background more megaphoned words, then a distorted, screamed reply, too far away to make out. He turned toward the sound. "Is that him?" he asked in disbelief.


"Why the megaphone?"

"He won't talk on a cell or landline, says we're using it to beam more rays into his head. So it's megaphone only. He shouts his replies out the door."

Gideon turned again in the direction of the sound. "I guess I'm ready whenever you are."

"Let me give you a crash course in hostage negotiation," said Fordyce. "The whole idea is to create a feeling of normalcy, lower the temperature, engage the hostage taker, prolong the negotiations. Stimulate his humanity. Okay? Our number one goal is to get him to release the kids. Try to dig out something he wants and trade the kids for it. You following me so far?" He seemed doubtful Gideon was capable of basic reasoning.

Gideon nodded, keeping his face neutral.

"You have no authority to grant anything. You can't make promises. Get that? Everything has to be checked with the commander. Anything he asks for, be sympathetic, but say you've got to check with the commander. This is a crucial part of the process. It slows things down. And if he wants something and the answer's a no, you don't get blamed. The point is to wear him out, stop the momentum."

Gideon was surprised to find himself in general agreement with the approach.

A cop appeared with a bulletproof vest. "We're going to suit you up," said Fordyce. "In any case, there shouldn't be any risk—we're putting you behind bulletproof Plexiglas."

They helped him strip off his shirt and put on the vest, tucking the extensions into his upper pants, then fitted him out with an invisible earpiece and remote mike. As he dressed, he could hear more megaphoned conversation in the background, interspersed with hysterical, incoherent responses.

Fordyce consulted his watch, winced. "Any new developments?" he asked the cop.

"The guy's getting worse. The commander thinks we may need to move into the termination phase soon."

"Damn." Fordyce shook his head and turned back to Gideon. "Another thing: you'll be working from a script."

"A script?"

"Our psychologists have worked it up. We'll give you each question through the earpiece. You ask it, then wait a moment after he replies to get the response from us."

"So you really don't need me at all. Except as a front."

"You got it. You're a rented body."

"Then why the lecture on hostage communication?"

"So you'll understand what's going on and why. And if the conversation gets personal, you might have to ad lib a little. But don't go shooting your mouth off or making promises. Gain his sympathy, remind him of your friendship, reassure him everything's going to be fine, that his concerns will be taken seriously. Be calm. And for God's sake, don't argue with him about his delusions."

"Makes sense."

Fordyce gave him a long, appraising look, his hostility softening somewhat. "We've been doing this a long time." A beat. "You ready?"

Gideon nodded.

"Let's go."


FORDYCE LED GIDEON through a final set of barricades to the front line of concrete barriers, armored vehicles, and Plexiglas shields. The armor under his shirt felt bulky and foreign. Now he could hear the megaphone clearly.

"Reed," came the electronic voice, calm and avuncular, "an old friend of yours is here and wants to talk to you. His name is Gideon Crew. Would you like to talk to him?"

"Bullshit!" came the reply, in an almost incoherent scream. "I don't want to talk to anybody!"

The disembodied voice was coming from the front door, which was standing ajar. All the curtains had been pulled and there was no one to be seen, hostages or Chalker.

A gravelly voice sounded in his earpiece. "Dr. Crew, do you read me?"

"I read."

"I'm Jed Hammersmith, I'm in one of the vans, sorry we can't meet in person. I'll be guiding you. Listen to me carefully. First rule is, you mustn't respond to me when I speak to you through the earpiece. When you're out there, obviously you can't be seen to be communicating with anyone else. You're talking only to him. Understand?"


"You lie! All of you! End the charade!"

Gideon felt a chill. It almost didn't seem possible this was the Chalker he knew. And yet it was his voice, distorted by fear and madness.

"We would like to help you," the megaphone said. "Tell us what you want—"

"You know what I want! Stop the kidnapping! Stop the experiments!"

"I'm going to be feeding you questions," said Hammersmith's calm voice in Gideon's ear. "We've got to move fast now; things aren't going well."

"I can see that."

"I swear to God I'm going to blow his brains out unless you stop messing with me!"

There was an inarticulate scream from the house, a woman's pleading. And below that, Gideon could hear the high-pitched wailing of a child. It chilled him to the bone. His own childhood memories—​his father standing in a stone doorway, Gideon himself running across a green lawn toward him—came back stronger than ever. He tried desperately to tune them out, but every blast of the megaphone just served to bring them back.

"You're in on it, you bitch!" Chalker screamed to someone at one side of him, "you're not even his wife, you're just another agent. This is all bullshit, all of it. But I'm not playing along! I won't take this anymore!"

The megaphone voice responded, preternaturally calm, as if talking to a child. "Your friend Gideon Crew wants to talk to you. He's coming out now."

Fordyce pushed a mike into his hand. "It's wireless, set up to loudspeakers on the van. Go."

He pointed toward a bulletproof Plexiglas shelter, narrow and enclosed on three sides and the top, leaving the back open. After a moment's hesitation, Gideon stepped from behind the ARV into the glass box. It reminded him of a shark cage.

He spoke into the mike. "Reed?"

A sudden silence.

"Reed? It's me, Gideon."

More silence. And then, "Oh my God, Gideon, have they gotten to you, too?"

Hammersmith's voice sounded in his earpiece, and Gideon repeated his words. "Nobody's gotten to me. I was in town, heard the news, came down here to help. I'm not with anybody."

"Liar!" Chalker shrieked back, high and quavering. "They've gotten you, too! Has the pain started yet? Is it in your mind? In your guts? It will be! Oh yes, it will—!" The voice suddenly stopped, replaced by a violent retching.

"Exploit the pause," came Hammersmith's voice. "You need to gain control of the conversation. Ask him, How can I help?"

"Reed," said Gideon. "How can I help?"

More retching—then silence.

"Let me help, please. How can I help you?"

"There's nothing you can do! Save your own ass, get away from them. These bastards will do anything—look what they did to me! I'm burning up! Oh Christ, my gut—!"

"Ask him to step out where you can see him," said Hammersmith in Gideon's ear.

Gideon paused, recalling the snipers. He felt himself go cold; he knew if any of the snipers had a clear shot, they'd take it. Just like they did with my father…He also reminded himself that Chalker had a family in there, at gunpoint. He could see some men on the roof of the row house. They were getting ready to lower something through the chimney, a device that looked like a video camera. He hoped to hell they knew what they were doing.

"Tell them to turn off the rays!"

"Tell him you really want to help him, but he needs to tell you how."

"Reed, I really want to help you. Just tell me how."

"Stop the experiments!" Suddenly Gideon saw movement in the doorway. "They're killing me! Turn off the rays or I blow his head off!"

"Tell him we will do all that he asks," came the disembodied voice of Hammersmith. "But he has to step out where you can talk to him face-to-face."

Gideon said nothing. Try as he might, he couldn't get the image of his father out of his head: his father, hands in the air, shot in the face…No, he decided, he wasn't going to ask that. At least, not yet.

"Gideon," said Hammersmith, after a long pause, "I know you can hear me—"

"Reed," Gideon said, cutting off Hammersmith, "I'm not with these people. I'm not with anyone. I'm here to help you."

"I don't believe you!"

"Don't believe me, then. But hear me out."

No response.

"You say your landlord and landlady are in on it?"

"Don't go off script," warned the voice of Hammersmith.

"They aren't my landlady and landlord," came Chalker's response, ramping up, hysterical. "I never saw them before! The whole thing's a setup. I've never been here before in my life, they're government agents! I was kidnapped, held for experiments—"

Gideon held up a hand. "Reed, hold on. You say they're in on it and it's a setup. What about the kids? Are they part of it?"

"It's all a setup! Aaaahhh, the heat! The heat!"

"Eight and ten years old?"

A long silence.

"Reed, answer my question. Are the kids acting? Are they conspirators, too?"

"Don't confuse me!"

More silence. He heard Hammersmith's voice. "Okay, this is good. Follow up."

"No confusion here, Reed. They're children. Innocent children."

More silence.

"Let them go. Send them out here to me. You'll still have two hostages."

The long silence stretched on, and then there was a sudden movement, a high-pitched scream, and one of the kids appeared in the doorway—the boy. He was a little kid with a mop of brown hair, wearing an I My Grandma T-shirt, and he came out into the light, keening in fear.

For a moment Gideon thought Chalker was releasing the kids. But when he saw the nickel-plated .45 shoved into the boy's neck, he realized he was wrong.

"You see this? I'm not kidding! Stop the rays or I kill the kid! I'm counting to ten! One, two—"

The mother was screaming hysterically in the background. "Don't, please don't!"

"Shut up, you lying bitch, they're not your kids!" Chalker turned and fired the gun once into the darkness of the house behind him. The woman's screaming stopped abruptly.

With one brusque movement, Gideon stepped out from behind the Plexiglas cubicle and walked into the open area before the house. There were shouts, cops yelling at him—get back, get down, the man's armed—but he kept walking until he was less than fifty yards from the front door.

"What the hell are you doing? Get back behind the barrier, he'll kill you!" Hammersmith shouted into his earpiece.

Gideon plucked the earpiece out, held it up. "Reed? You see this? You're right. They were telling me what to say." He tossed the earpiece on the asphalt. "But not anymore. From now on we talk straight."

"Three, four, five—"

"Wait, for God's sake, please." Gideon spoke loudly. "He's just a child. Listen to him screaming. You think he's faking that?"

"Shut up!" Chalker screamed at the boy, and, remarkably, the boy stopped. He stood, trembling and pale, his lips fluttering. "My head!" Chalker shrieked. "My—"

"Remember when those school groups came to see the lab?" Gideon said, struggling to keep his voice calm. "You loved those kids, loved showing them around. And they responded to you. Not to me. Not to the others. To you. Remember that, Reed?"

"I'm burning up!" Chalker screamed. "They got the rays on again! I'll kill him, and the death will be on your head, not mine! You HEAR me? SEVEN, EIGHT—"

"Let the poor boy go," Gideon said, taking another step forward. It deeply frightened him that Chalker couldn't even count straight. "Let him go. You can have me instead."

With a brusque motion, Chalker turned, aimed the weapon at Gideon. "Get back, you're one of them!"


  • "The action zigzags like an out-of-control rocket toward a double-deceptive conclusion."—Kirkus Reviews
  • "Gideon, an engaging fellow from the get-go, lives up to his initial promise, demonstrating an intelligence and resourcefulness that should endear him to adventure fans."—Booklist
  • "A rollicking tour-de-force. The eponymous Gideon Crew would be equally comfortable smack in a Ludlum tempest or striding onto the set of the Ocean's Eleven franchise. Preston and Child have crafted an electrifying, riveting thriller on which I could continue to heap praise, but instead I will just offer this: Read the book! And we can all look forward to the next appearance of Mr. Gideon Crew in the not-so-distant future."—David Baldacci on Gideon's Sword

On Sale
Mar 24, 2015
Page Count
480 pages

Douglas Preston

About the Author

Douglas Preston is the author of thirty-six books, both fiction and nonfiction, twenty-nine of which have been New York Times bestsellers, with several reaching the number 1 position. He has worked as an editor at the American Museum of Natural History in New York and taught nonfiction writing at Princeton University. His first novel, RELIC, co-authored with Lincoln Child, was made into a movie by Paramount Pictures, which launched the famed Pendergast series of novels. His recent nonfiction book, THE MONSTER OF FLORENCE, is also in production as a film. His latest book, THE LOST CITY OF THE MONKEY GOD, tells the true story of the discovery of a prehistoric city in an unexplored valley deep in the Honduran jungle. In addition to books, Preston writes about archaeology and paleontology for the New Yorker, National Geographic, and Smithsonian. He is the recipient of numerous writing awards in the US and Europe, including an honorary Doctor of Letters degree from Pomona College. He currently serves as president of the Authors Guild, the nation’s oldest and largest association of authors and journalists.

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Lincoln Child

About the Author

The thrillers of Douglas Preston and Lincoln Child “stand head and shoulders above their rivals” (Publishers Weekly). Preston and Child’s Relic and The Cabinet of Curiosities were chosen by readers in a National Public Radio poll as being among the one hundred greatest thrillers ever written, and Relic was made into a number-one box office hit movie. They are coauthors of the famed Pendergast series and their recent novels include Crooked River, Old Bones, Verses for the Dead, and City of Endless Night.

In addition to his novels, Douglas Preston writes about archaeology for The New Yorker and National Geographic magazines. Lincoln Child is a Florida resident and former book editor who has published seven novels of his own, including bestsellers such as Full Wolf Moon and Deep Storm.
Readers can sign up for The Pendergast File, a monthly “strangely entertaining note” from the authors, at their website, The authors welcome visitors to their alarmingly active Facebook page, where they post regularly.

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