Can An Author Be a Protagonist, Too? 8 Novels with Authors as Main Characters
By Hank Phillippi Ryan
My pitch was not going well. Happily, it was just to an agent-friend, and not to my real agent, and my career did not hang in the balance. But it felt like it did. I told him that I thought it was my great idea for a thriller, and held my breath.
The agent looked at me, with sorrow in his eyes, and said: “It’s the death knell.”
“What’s the death knell?” I was terrified. Death knell for who? Me?
“When writers write about writers, that means they’ve run out of ideas,” he pronounced. “It’s static and interior and come on, Hank, people want action.”
I began to fret. It had seemed like a good idea at the start, but then, hmm. I worried that writing about a writer means your main character is someone who is often simply sitting at a computer. Having life and death struggles over dangling modifiers and sentence fragments. How exciting can that be?
And yet, and yet, what could be more fascinating than writing about a writer? One who pursues universal truths, a person who is trying to change the world, who is talented and persuasive and thoughtful, and determined. (And talk about suspense, a writer is someone who, in a wild act of perilous bravery, lives or dies at the whim of agents, editors, publishers—and the all-powerful reader.)
Trying to be brave, I ignored my agent-friend and persevered. How, I wondered, could I turn typing words on page into a page turner?
In All This Could Be Yours, I went way meta and super-personal and invited readers to travel with a debut author on a book tour gone terrifying. And trust me, if you have been an author on book tour, or if you’ve even been in the audience at a book event, All This Could Be Yours will reveal not only the joys, but the deadly dark side of being an author. Might writing a best-selling novel about to ruin my main character’s life? After all, what she writes is her own truth. And sometimes, that’s dangerous.
So writing about a writer? I say it’s not the death knell. I say it’s the proof our community will devour a good story about how good stories are created.
And here are just a few of the other authors who dismissed the fear of the death knell… and came up with a ringing best-seller about a writer.
This might have been the first book I ever read about a writer. Can that be true? Herman Wouk’s novel came out in 1962, but I think I must have read it later, in college. Anyway, it profoundly affected me. It’s loosely based on the author Thomas Wolfe, one of my favorites, and was an early glimpse for me into the tumult and competition that is the world of publishing. Writer-me is almost afraid to read it again. But English-major-me could not stop thinking about it.
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Murder on the Orient Express. How many times have you read that classic? That book was pivotal to me, and I remember gasping at the end, thinking, how could she do that? How could she give me every single clue and still come up with a shocker of an ending, one I could have figured out if only I had been as smart as Agatha Christie. But no one is as smart as Agatha Christie. Except, perhaps, Sulari Gentill. Five Found Dead brazenly wears its Orient Express heritage, and we instantly fall in love with the main character—a crime fiction author. This brilliant mystery is witty, clever and wholly entertaining. You can guess what it’s about. And yet, you’ll be kinda wrong. And that’s the fun part. (Also don’t miss Gentill’s The Woman in the Library. A completely different tour de force about a mystery writer. More I cannot say, but I will never look at the Boston Public Library the same way again.)
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Ruth Ware’s Lo Blacklock is a travel writer, and anyone who dismisses write-books for not being action-packed clearly has not read these. In Cabin 10, Lo sees a murder, but no one will believe her. Serious danger ensues. In Suite 11, her run of bad lighting writing luck continues. Gaslighting, manipulation, female empowerment, family responsibilities—just another day in the life of a writer. Absolutely riveting.
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Danielle Valentine has written a grisly and hilarious thriller about a cookbook author and her editor. I’m not sure how anyone can make murder (and worse, truly) laugh out loud funny, but Valentine succeeds. Fast-paced, gasp-worthy and not for the faint of stomach, read this thriller that edges into horror during the daytime, please. And certainly not in the kitchen. Even the recipes will make you laugh. Or cringe. And never eat a meatball again.
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Julie Clark’s cautionary tale is a multi-layered thriller, in which the writer-daughter of a famous horror writer gets the gig of writing and editing her father’s potentially blockbuster memoir. Talk about a family drama—Clark explores responsibility and reputation, the desperate search for success, father-daughter relationship—and the supreme power of storytelling. Do we root for the truth? Or do we root for happiness? Or are we just waiting to see who tells the best story? As the main character digs into a deadly past, the title takes on a deep and powerful significance.
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Marie Benedict’s clever imagining is not about Agatha Christie’s novels, but about Agatha herself. She disappeared for 11 days, and when she returned, she refused to tell anyone where she had been. Thereby, in the most Christie-an fashion, making a mystery of the mystery. This is total immersion mystery fun, with gorgeous research and entertaining storytelling. Did Benedict discover the truth? Or is this just another story?
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The best book club book you could ever pick. Percival Everett’s scathing, disturbing, hilarious and heartbreaking story about what the public wants from a novel, and what constitutes success and what the world believes is true is beyond thought broken provoking—it is life changing. When an author’s outraged and satirical take on “Black” novels becomes a massive money maker, the emotional and professional stakes could not be higher. Riveting and revealing.
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Okay, fine, Stephen King’s book is so scary I cannot even think about it. And do not tell me the terrifying story of a writer held hostage in the basement and forced by a rabid fan to write is not somehow also a metaphor for how relentlessly high-pressure it is to write a good book. And, as we see in another of King’s writer-books, The Shining, sometimes such things do not end well. But. It’s still a terrific book.
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And hey, look what recently made the Times list? Emily Henry’s Great Big Beautiful Life. About two writers! So—it can work. Writing about writing may be the perfect solution to your next plot. And it’s obviously what readers love.
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USA Today bestselling author HANK PHILLIPPI RYAN is the author of 16 psychological thrillers. She’s won five Agatha Awards, five Anthony Awards, and the coveted Mary Higgins Clark Award. As on-air investigative reporter for Boston’s WHDH-TV, she’s won an unprecedented thirty-seven Emmy Awards, as well as many more journalism honors. A past president of National Sisters in Crime and a board member of International Thriller Writers, Ryan lives in Boston. Her upcoming novel is the cat-and-mouse suspense All This Could Be Yours, about a debut author on a terrifying book tour from hell. People magazine calls it “a nail-biting thriller.”