By Monica Hesse
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The New York Times bestselling, Sydney Taylor Honor winning, critically acclaimed tour de force historical mystery from Monica Hesse, author of Girl in the Blue Coat.
Germany, 1945. The soldiers who liberated the Gross-Rosen concentration camp said the war was over, but nothing feels over to eighteen-year-old Zofia Lederman. Her body has barely begun to heal, her mind feels broken. And her life is completely shattered: Three years ago, she and her younger brother, Abek, were the only members of their family to be sent to the right, away from the gas chambers of Auschwitz-Birkenau. Everyone else—her parents, her grandmother, radiant Aunt Maja—they went left.
Zofia’s last words to her brother were a promise: Abek to Zofia, A to Z. When I find you again, we will fill our alphabet. Now her journey to fulfill that vow takes her through Poland and Germany, into a displaced persons camp where everyone she meets is trying to piece together a future from a painful past: Miriam, desperately searching for the twin she was separated from after they survived medical experimentation. Breine, a former heiress, who now longs only for a simple wedding with her new fiancé. And Josef, who guards his past behind a wall of secrets, and is beautiful and strange and magnetic all at once.
But the deeper Zofia digs, the more impossible her search seems. How can she find one boy in a sea of the missing? In the rubble of a broken continent, Zofia must delve into a mystery whose answers could break her—or help her rebuild her world.
Lower Silesia, August 1945
LINES. I AM GOOD AT LINES. I AM GOOD AT LINES BECAUSE YOU don’t have to think in them, just stand in them, and this line is easy because now only a few people are in front of me, and easy because I understand the reason I am in it, and it’s a good reason, and I am good at lines.
At the front of it, an official-looking woman—from the Red Cross, I think—sits behind a table. It’s a nice, indoor table, as though it was carried out to the street from someone’s dining room. Except, instead of sitting on a rug, it sits on cobblestones, and instead of candlesticks, it’s piled with neat stacks of papers and smells of furniture polish, or I imagine it would; it looks like that kind of table. A solitary cup also sits on it, next to the papers at the proper two o’clock of an imaginary place setting like a leftover from the table’s former life. A cup of tea for the official worker.
“Next,” she says, and we move forward because this is how lines work; they move forward.
I look back toward the door, but the other nothing-girls don’t come out to say goodbye. I’m the first one of us to leave the hospital. In the early weeks after the war, there were always goodbyes from the healthier patients, always plans being made. You could look out the ward window almost any time and see a truck grinding past, stuffed with German soldiers on their way home, Polish soldiers on their way home. Russians, a few Canadians, everyone traveling in a different direction, and every direction was someone’s home, as if the world were a board game and all the pieces had ended up scattered in the wrong corners of the box.
But none of the nothing-girls were well enough then. So we don’t have a protocol yet for what to do when one of us leaves. We have no addresses to exchange. We have nothing. We weigh nothing, we feel nothing, we existed on nothing, for years.
Our minds are nothing. That’s the biggest nothing, the reason we are still in the hospital. Our minds are soft. Confused.
“Zofia? I didn’t know if you wanted to keep this.”
I turn to the voice, the little blond nurse jogging out the door, mouth like a red bow. She hands me a letter, addressed in my own handwriting. Return to sender. The sender was me; the addressee was—I’m not even sure who the addressee was this time. For months, from the day I was well enough to pick up a pen, I have been writing letters to everyone whose address I’d ever known. Have you seen him? Tell him to wait for me. But their addresses weren’t their addresses anymore, and the mail wasn’t the mail anymore. And I wasn’t me anymore, but it became clear I couldn’t do what I needed to from a hospital bed. If I wanted to find him, I would have to pull myself out of it.
Even though my mind is still soft, that’s why I’m standing outside and the other girls are still in the window.
Tell him the doctors won’t let me leave by myself until I’m better, I wrote. Tell him I won’t be better until I leave and find him.
“Here, I also made this for you,” the blond nurse says, passing me a bundle of cloth, still warm. Food. The heat feels nice against my stomach. I start to unwrap the cloth so I can hand it back, but she says to keep it.
So now I own this checkered cloth. It is mine, and that will bring the number of possessions I own in this world to six. Later, I can fold it and use it as a kerchief for my hair, or I can cut it in half, in triangles, and have two handkerchiefs; that would bring my number of possessions to seven. I also have a dress, undergarments, a pair of shoes, a donated bill of money in a large denomination, and a document saying I was a prisoner in Gross-Rosen. It’s supposed to connect me with relief organizations, help with food rations. The workers who gave it to me said it would be my most valuable possession.
“Next,” the official woman says. She’s my mother’s age, with lines on her brow that have only begun to soften her face. The queue behind me has grown, as more soon-to-be-discharged patients come out. Another worker arrives to help.
The blond nurse, still watching me. “Did you forget anything else?” she asks. Urbaniak, I remember. Her surname is Urbaniak.
“My shoes. Where are my shoes?”
Why didn’t I realize before? I’ve just looked down at my feet, and the brown leather boots I’m wearing are a stranger’s.
“Those are your shoes. Your new shoes. Remember?” She’s gentle, and then I do remember: These brown boots are mine now, because when I was brought to the hospital months ago, I was wearing the shoes the Nazis had assigned to me, ill-fitting and full of holes. My frostbitten feet were so swollen that a nurse couldn’t pull them off; she had to slice them at the tongue. The nurses said I cried; I don’t remember crying.
It turns out, if you have to lose toes to frostbite, the third and the fourth are possible to lose and still be able to walk and balance.
“Are you sure you don’t want to stay longer, Zofia?”
“I remember about my shoes now; I just forgot for a minute.”
“You had already asked me about them once today.”
I force a smile. “Dima is leaving; he’s going to his new post, and he has a car to drive me.”
Dima-the-soldier is the one who brought me to the hospital, which was not a hospital then, just a building crammed with cots and bottles of iodine. Dima’s Red Army jeep was crammed, too, with people. The Russians had liberated Gross-Rosen three days before, but it had finally become clear that none of us, including the Russian soldiers, knew what liberation was supposed to look like. Hundreds of us were still inside the gates, too weak to leave. Dima found me barely conscious in the women’s barracks, he later told me in the broken Polish from his mother. It was lucky I’d passed out, because by the time he stroked life back into my face, all the good rations had been handed out already: waxy chocolate, tinned beef.
Our stomachs were too weak for rich foods. I watched people who’d lived for months on a potato a day eat the beef and never get up again. We were liberated and still dying by the dozens.
“It’s over now,” the soldiers said to us in February. It wasn’t over, not officially, not for a few months, but what they meant was, the SS officers were not coming back to the camp.
“It’s really over now,” the nurses told us in May, spoon-feeding us sugar water and porridge. We could hear cheering and yelling in the corridor; Germany had surrendered.
What did they mean, it was over? What was over? I was miles from home, and I didn’t own so much as my own shoes. How was any of this over?
“Next,” says the official woman, and I take another step forward.
A puff of smoke, the growl of a motor. Dima pulls up in his jeep. He leaps out when he sees me waiting, and I’m struck again by how much he looks like a cinema poster, like the film version of a soldier: Square chin. Nice cheekbones. Kind eyes. Dima, who postmarked my letters for me. Who, when I begged him, asked his soldier friends about Birkenau and found out for me that it had been liberated a few weeks before Gross-Rosen. And who repeated the same thing for me again when I forgot, and then again when I forgot again. Remember, Zofia? We discuss already. My mind is a sieve, and Dima is how I am allowed to leave this place—because he is leaving with me.
“I would have come inside, Zofia.” He places his hands on my shoulders. His hair is shorter above one ear. He must have cut it himself again in the mirror. “You get too tired. You know I worry about you.”
“I have to stand in this line now.”
“She has to be processed,” Nurse Urbaniak explains. “The aid organizations are keeping records.”
A tap on glass, like a bird. I look up. In the second-floor hospital window behind me, the nothing-girls have woken; they’re touching the glass and waving. To Dima as much as to me; they love him. He waves back.
“Next,” the Red Cross woman says. I wait for a minute before realizing it’s finally my turn. Her uniform is a single-breasted blue suit. My dress is also pale blue. The nurse who gave it to me said it went with my hair and eyes. Kind lies. My hair then was patchy and scabbed over, short as a boy’s. It’s grown back almost to my chin, but a thin, timid brown instead of lustrous curls. My eyes are still the color of empty. “Miss?” says the matronly woman. “Miss?”
“Zofia Lederman.” I wait for her to check me off on her papers.
“And you’re going home?”
“Yes. To Sosnowiec.”
“And who would you like me to put on your list?” I stare at her, and she reads my confusion. “We’re asking if you have any names.”
“Names?” I know what she’s asking must make sense, but my brain is fogged again; it can’t parse the words. I start to turn back to Nurse Urbaniak and Dima for help.
The worker places her hand on mine until I look back at her. Her voice has softened from its clipped, official tone. “Do you understand? We’re logging where you’re going, but also the family you’re looking for. Is there anyone who could be looking for you?”
Names. I did this once already, months ago, with some charity workers as soon as I was conscious. Nothing ever came of it, and now his name hurts in my throat.
“Abek. My brother, Abek Lederman.”
“He would be twelve now.”
“Do you know anything about where he might be?”
“We were both sent to Birkenau, but I was transferred twice, to a textile factory called Neustadt and then to Gross-Rosen. The last time I saw him was more than three years ago.”
I watch her make careful notes. “Who else?” she asks.
Just Abek. This is why I need to go home. Birkenau was liberated before Gross-Rosen. Abek could already be waiting.
“Are you sure that’s all?” Her pen hesitates over the next blank line. She’s trying to figure out how to be delicate with me. “We’ve found that it’s better to cast as wide a net as possible. Not just immediate family, but cousins, distant relations. All will improve the chances of your finding someone.”
“I don’t need to add anyone else.”
Distant relations. She doesn’t mean it this way, but it reminds me of when my old teacher would bring candy to lessons. Don’t be choosy, he’d warn, walking around with a bowl.
Don’t be choosy. You’d be lucky to have any relatives at all; just pick something.
“Look at all these empty rows.” The worker gestures to her paper, patient, as you’d talk to a baby. “There’s plenty of room to add as many people as you’d like. If you’re looking for only one person—one on this entire continent—it could be impossible.”
One person. Impossible.
I look at her empty lines. There aren’t enough of them, not even close. Not nearly enough space for me to tell the story of the people I’m missing. I squeeze my eyes shut, trying to keep my thoughts from leaking, because I know the nurses have been wrong all along: Sometimes it’s not that I have trouble remembering things, it’s that I have trouble forgetting.
Behind me, Dima shifts his weight, concerned. I can tell he wonders if he should help.
If there were enough empty lines on that sheet of paper, this is how I would start:
I would start by telling her that on the twelfth of August in 1942, all remaining Jews of Sosnowiec were told to go to the soccer stadium. The instructions said we were to be issued new identification. It seemed suspicious even then, but you have to understand—I would tell her, You must understand—the Germans had already occupied our city for three years. We were accustomed to arbitrary orders that sometimes became terrifying and sometimes benign. I would tell her how my family had been moved from our apartment to another across town, for no other reason than imaginary boundaries had been drawn on a map, and Jews could now live only inside them. How Baba Rose and I had already made stars to pin on our clothes, cut from a pattern in the newspaper.
Papa had already reported to the stadium once: The Germans made all men report. They were taken, but they were returned, ashen and not wanting to speak of what they’d seen. They returned.
I would tell this Red Cross worker that our identification cards were how we survived: Without one, you couldn’t buy food or walk in the street. So we had to go, and we wore our best clothes. The instructions told us to do this, which we took comfort in, because maybe they really were going to take our pictures for identification.
But then we got there, and there were no cameras. Just soldiers. And all they were doing was sorting us. By health. By age. Strong-looking into one group; weak or old or families with young children in another. One line to work in factories. Another line to camps.
It took hours. It took days. Thousands of us were on the field. All of us had to be sorted. All of us had to be queried about whether we had special skills or connections. The SS surrounded the perimeter. Behind my family, an old man I recognized from the pharmacy was praying, and two soldiers came over to jeer. One knocked the pharmacist’s hat off; the other kneed him to the ground. My father ran over to help him up—I knew he would; he was always kind to old people—even while my mother and I begged him not to, and I thought, What’s the use?
My mother and I took turns curling our arms around Abek and telling him fairy tales: The Frog Princess. The Bear in the Forest Hut. The Whirlwind, his favorite.
Abek was tall for his age, which made him look older. When we realized how the soldiers were sorting us, we told ourselves that would matter. Abek, Mama said. You are twelve, not nine, all right? You’re twelve, and you’ve been working in your father’s factory for a year already.
We made up these reassurances for all of us. We looked at Baba Rose, my sweet, patient grandmother, and we told ourselves she looked much younger than sixty-seven. We told ourselves nobody in Sosnowiec could sew half as well. Customers who bought suits and skirts from my family’s business did so because of the embroidery done at Baba Rose’s hand, and surely this counted as a special skill.
We told ourselves my mother’s cough, the one that had made her weak and gasping over the past months, the one Abek was starting to get, too, was barely noticeable. We said nobody would even see Aunt Maja’s limp.
Pinch your cheeks, Aunt Maja told me. When they come to you, pinch your cheeks to make them full of life.
Beautiful Aunt Maja’s face was so pretty and her laugh was so gay, none of her suitors ever cared that she was born with a mangled hip that made her lurch instead of glide. She was much younger than Mama, just nine years older than me. She used to tell me to pinch my cheeks so I would be as pretty as she was. Now it was so we would both be safe.
Darkness fell; it started to rain. We opened our mouths to catch the drops; we hadn’t eaten or drank in days. The water on our now-sunburned skin felt nice for a minute, and then we were cold. Next to me, Abek tucked his hand in mine.
And Prince Dobrotek crept into the horse’s ear, I said, telling The Whirlwind again. I was always good at telling stories. And when he crawled out the other side, can you remember what he was wearing?
A golden suit of armor, Abek said. And then he rode the horse to the moving mountain.
Pinch your cheeks! Aunt Maja hissed to me. Zofia, pinch your cheeks and smile.
I kept Abek’s hand in mine and dragged him with me to the soldiers.
Fifteen, I told them. I can sew and run a loom. My brother is twelve.
Do you see why there isn’t enough room on this woman’s intake form for me to explain all this? It would take her hours to write it down. She would run out of ink. There are too many other Jews, millions of missing, whose information she also needs to collect.
Dima steps forward. “Zofia doesn’t have more names; she’s not well.”
“I can do it,” I protest, but I’m not even sure what I mean by it. I can keep standing in this line? I can be well again?
The official woman adds my records to her pile. Dima extends his hand, and I accept it. I fold myself into the passenger side of his jeep and allow him to arrange his coat over my lap while Nurse Urbaniak makes sure the bundle of food is secure on the floorboard.
What I should have told the official woman is this: I know I don’t need to put anyone else on my list, because when the soldiers sorted my family, they sent us all to Birkenau. And when we got to Birkenau, there was another line dividing into two. In that line, the lucky people were sent to hard labor. The unlucky people—we could see the smoke. The smoke was the burning bodies of the unlucky people.
In that line, Abek and I were sent to the right.
On this continent, I need to find only one person. I need to go home, I need to survive, I need to keep my brain working for only one person.
Because everyone else: Papa, Mama, Baba Rose, beautiful Aunt Maja—all of them, all of them, as the population of Sosnowiec was devastated—they went left.
DIMA DRIVES SLOWLY. ON WHAT LOOKS LIKE THE MAIN street of this town, an aproned woman sweeps her stoop. At least, I assume it’s hers, I assume it was a stoop. What she’s doing is sweeping pebbles into a dustpan, then emptying the dustpan into a bin, and behind her is nothing. Rubble. The waist-high remnants of a brick structure, the vaguest hint of a doorway. It could be new rubble, from the Allies, or old, from the Germans. Poland was invaded twice. Is this Poland? The boundaries keep changing. This is the farthest I’ve been from the hospital. From the window, I could make out only a half-boarded-up milliner’s shop, with no dresses in the window. What do you think we’ll buy when we’re well? the woman we called Bissel had asked dreamily. I expect we’ll buy nothing, I said. Because nothing is for sale.
Dima’s Polish is a baby’s Polish, one- and two-syllable words punctuated by points and gestures. “Hungry?” he asks when the cobblestones give way to dirt. “Candy, under your chair.”
“No, thank you.”
“Look anyway,” he says proudly. “Surprise.”
Obligingly, I feel under my car seat. A paper packet of hard candies, and next to it, something rectangular and smooth. A fashion magazine. American, it looks like. A woman in a smart red hat. The first time Dima visited and I was actually awake, he asked what he could bring to the hospital, and I told him, lipstick. I could see he was taken by this, this idea of a scabbed, wasted girl wanting to look beautiful. I didn’t tell him I just wanted something to stop the pain in my chapped lips. I didn’t think he’d know the Polish words for beeswax or petroleum jelly. Lipstick, I thought he might know.
“Comfortable?” he asks.
“Blanket,” he offers, nodding toward the back seat.
“I’m not cold.”
“But every day you are cold.” He frowns. He was so pleased with himself to have thought of this, and so crestfallen that I might not need it. I reach for the blanket in the back seat and arrange it over my shoulders. Dima smiles approvingly.
“Thank you,” I say. “You are very kind.”
“Exciting day,” he says. “We’ll be there soon. This car is fast. Until, you rest.”
I lean against the side of the car but don’t close my eyes. The road is dotted with debris. Broken wagon wheels, upturned yokes, milk cans with rusted-out bottoms. Each item, I think, is a family that couldn’t walk any farther before they were stopped, or taken, or just too tired to carry more. Possessions were left behind this way, the frivolous things first, like music boxes and silk shawls and then everything but what a body needs for its own survival. And since a body can survive on almost nothing, everything was left behind. Broken wagon wheels, upturned yokes, milk cans with rusted-out bottoms. Each item is a family that couldn’t walk any farther before they were stopped, or—
Stop it, I tell myself, trying to break the loop. Stop. This is what happens to my brain now. It trips. It goes in loops. It won’t let me think about some things and won’t let me stop thinking of others. Sometimes my brain is fine. Getting better. But still triggered by things that I can’t always predict, and patchy like black ice.
I look to the other side of the road, toward the rolling farmland, trying to get unstuck. No debris in that direction. But there’s a large plot of upturned earth, brown and mealy, and I can’t stand to look at that, either.
Sometimes it’s not that families got tired. Sometimes they were shot on the spot. Sometimes it was whole towns, into mass graves. I squeeze my eyes shut.
It’s over, it’s over, it’s over.
I used to like the smell of dirt. On holiday in the country, Abek and I would draw pictures with sticks; I would teach him the alphabet.
A is for Abek.
Is it possible that right now I can smell something beneath this earth, something fetid and terrified?
B is for Baba Rose.
“We stop for lunch?” Dima suggests, and I’m relieved at the sound of his voice, breaking up my thoughts.
“Do you mind if we keep driving? I want to get to Abek. Unless you want to stop,” I add hastily. This is the longest period we’ve ever spent together, the first time he’s seen me off the hospital grounds. But if he thinks it’s strange, he hasn’t let it show.
“No, we can drive. I want to take you there, safe. Do you need anything else? Water? Walk your legs?”
“Stretch your legs,” I correct him.
“That’s what you say. It’s an idiom. A saying, I mean.”
“You need to stretch your legs?” He’s pleased with the new phrase; he reaches over and pats my knee. Lucky, the other nothing-girls had said. Be sweet to him.
I don’t know if Dima’s posting to Sosnowiec was chance. He might have requested it. I didn’t want to ask; I thought it was best not to clarify our terms.
“No, I—could we just keep driving?” I ask. “That’s what I’d like best. Maybe you could tell me a story. Or I could try to rest again.”
His eyes immediately fill with concern. “Yes. You should rest. You rest, and I’ll take us home.”
I didn’t even mean for my eyes to close; I was looking for quiet, not sleep. But they must have closed, because suddenly I feel the car jolt to a stop.
“Zofia.” Dima’s hand is on my shoulder, gently waking me.
My eyes fly open, get my bearings. The ground is flatter. The sun is in the middle of the sky; hours have passed. Dima smiles broadly, gesturing through the windshield.
At first, I can’t tell what he wants me to see, and then I can’t believe what I’m seeing. A wooden sign with painstaking calligraphy.
“Already?” I gasp.
“I told you, this car is good. This car is fast.”
SOSNOWITZ, the sign says. The Germans had come into Sosnowiec and given it a German name.
I hadn’t meant that the car is fast, though. I meant, How can we be here? How can I be back home already? It was easier to imagine the evil things happened far away. On a different continent. But Birkenau, the first camp, was barely twenty-five kilometers from my town.
“This is it, yes?” Dima asks. He’s pulled the jeep to a stop and peers at me curiously. I’m not having the reaction he thought I would.
“This is it.”
“Tell me where I should go now?”
I swallow, get my bearings. “Home. Abek.”
We’re on the edge of Sosnowiec now. Small farms, small plots of land. As we get closer to the city, the houses will cluster and turn into three- and four-story apartment buildings. In the distance, I can make out the factory district; if we were closer, I’d be able to see the soot that the factories create, hovering in the air above the power lines for the trams. Wide, paved plazas. Electric streetlights, lunch cafes filled with rushed workers.
I gather my thoughts. There are two addresses I could direct Dima to. The first is in the Środula neighborhood on the outskirts of town, the Jewish ghetto my entire family was forced into when I was thirteen. Trash in the streets. Crumbling walls, vacant lots. Six of us crowded into one room.
The second address is my home, my real one, which belonged to Baba Rose, where my mother was raised and my father moved after they married. Closer to the center of the city.
“Turn right,” I decide. Our real home. That was the plan, for Abek and me to meet there. That’s what I’d told him. Repeat the address, Abek. Remember the birch trees outside? What if he’s been waiting there alone for me? I tried to get better sooner, Abek. I tried.
Dima turns, and the gravel road becomes a paved one. We pass a few men in simple work clothes, and then we pass more men, but they’re in business suits and hats. Dima raises a hand in greeting; one waves back, cautiously, and the others don’t acknowledge our presence at all.
“What’s this?” Dima points through the windshield at a large expanse of green in the middle of buildings.
“Sielecki Park. Sometimes we would go here on school trips.”
“Ah!” A few minutes later, he stretches out his hand again, pointing at something else. “And this?”
Praise for They Went Left:
A New York Times and IndieBound bestseller
A Sydney Taylor Honor Book
Edgar Award Nominee, Best Young Adult Mystery
An NPR Best Book of the Year
A New York Times Best Book of the Year
Booklist Editor’s Choice
"Hesse writes with tenderness and insight about the stories we tell ourselves in order to survive and the ways we cobble together family with whatever we have. When the plot twists come, they are gut punches--some devastating, others offering hope... Crucial." —New York Times Book Review
"beautifully tragic...an incredibly impressive novel about a timeframe and group of people that history often forgets. Their stories will stay with me forever." —Hypable
"A heartbreaking and heartwarming story of survival, loss, and renewal. Sure to please a variety of readers; those interested in historical fiction, romance, and mystery will not be able to put this book down." —School Library Journal, starred review
"Hesse again proves to be a master of verisimilitude, bringing the realities of existence in the immediate postwar period to visceral life through painstaking detail. Her beautifully realized, highly empathetic characters come to life, too, in the pages of this superbly crafted novel...like real life, there is heartbreaking sadness here but also hope that life, finally, will be whole and fine, A to Z." —Booklist, starred review
"Hesse's meticulous research is evident on every page but never distracts from her propulsive plot. Combining history, romance and mystery, They Went Left is a heartbreaking yet hopeful story of what it takes to survive after trauma." —BookPage, starred review
"Compelling."—Publishers Weekly, starred review
"Featuring factual locations and covering a period of time not often focused on, this is an excellent book to add to a Holocaust collection. ...This book would be valuable for all high schools and should be considered a must-purchase."
—School Library Connection, starred review
"A heartbreaking, gorgeously written story...The ending left me breathless and awed by its expression of enduring love." —Jewell Parker Rhodes, New York Times bestselling author of Ghost Boys
"Zofia's harrowing journey to find Abek and the fellow survivors she meets along the way will stay with the reader--particularly the echoes of the present evoked in a narrative of the past." —Refinery29
Select Praise for The War Outside:A Publishers Weekly Best Book of 2018A 2019 YALSA Best Fiction for Young Adults PickA 2018 BCCB Bulletin Blue Ribbon TitleA 2019 Notable Social Studies Trade Book for Young People"Once again, Monica Hesse delivers an incredibly compelling and beautifully researched novel. The War Outside vividly brings readers into an underrepresented and dark period of American history. A must-read for fans of historical fiction."
—Ruta Sepetys, #1 New York Times bestselling author
* "Superb.... A satisfying and bittersweet novel, perfect for those who enjoyed Markus Zusak's The Book Thief."—SLJ, starred review
"Monica Hesse takes a setting we think we understand and shifts it in an important way...a tightly plotted exploration of the consequences of fear."—The New York Times Book Review
"Timely...[Hesse] again uses a well-researched historical backdrop to tell a powerful coming-of-age story."—Washington Post
Praise for Girl in the Blue Coat:The Edgar Award Winner for Best Young Adult Mystery Novel 2017
A New York Public Library Best Book for Teens of 2016
An Entertainment Weekly Best YA Book of 2016
A Booklist Best Young Adult Book of 2016
A Notable Social Studies Trade Books for Young People Selection 2017
A 2017 Indies Choice Awards Finalist for Best Young Adult Book
A YALSA 2017 Best Book for Young Adults
A 2017 Bank Street College of Education Best Children's Book of the Year
A 2017 Wyoming Soaring Eagle Book Award Nominee
A 2017 Washington, D.C. Capitol Choices List recommended title
A 2018 Connecticut Nutmeg Book Award Nominee
2018 All Iowa Young Adults Read
"A tapestry of guilt and acceptance, growing responsibility, and reluctant heroism, Hanneke's coming-of-age under heartbreaking circumstances is a jarring reminder of how war consumes and transforms the passions of ordinary life. Every devastating moment of this beautiful novel is both poignant and powerful, and every word feels true." —Elizabeth Wein, New York Times bestselling author of Black Dove, White Raven; Rose Under Fire; and the Printz Honor-winning Code Name Verity
"Taut and intelligent.... the historical setting is rendered the way only an expert can do it." —Washington Post
"Riveting.... A gripping historical mystery." —Publishers Weekly (starred review)
- On Sale
- Apr 6, 2021
- Page Count
- 400 pages
- Little, Brown Books for Young Readers
About the Author
Monica Hesse is the bestselling author of Girl in the Blue Coat, American Fire, and The War Outside, as well as a columnist at the Washington Post. She lives outside Washington, D.C. with her husband and their dog.
FROM NOVL NATION
“Hesse is nothing short of masterful when it comes to writing gripping, heart breaking, raw, powerful, and soul shattering historical fiction novels. This book did all of that and so much more.”
“I was sucked in from page one and unable to put it down. This was one of the most well-written stories I’ve ever read… It resonated with me in a way no other story has and, dare I say, ever will.”
“This book was truly incredible. The mystery of finding Zofia’s brother and the dash of romance running through the story kept me engaged and speeding through the pages.”
“This book was just so well done, Hesse’s writing style is beautiful.”
“They Went Left is a heartbreaking and heartwrenching read that pulls you in from the beginning. A story that is full of drama, hope, and determination.”
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Monica Hesse on the LB School Podcast
Monica Hesse on Writing Historical Fiction for Young Readers
If you’re like me, you’ve spent a lot of the past two months daydreaming of “After.” After covid-19, after quarantine, after stay-at-home orders, after exhausted-looking nurses begging for more personal protective equipment on CNN.
After, I’d like to go to a crowded movie theater and order buttered popcorn. I’d like to hug my best friend; she’s pregnant and she informs me over the phone that she’s increased in size from Pluto to Jupiter. I have a long wish list, but sometimes its hard to imagine the world ever going fully back to normal. Some things are just too wounded. Recovery will be its own journey in ways big and small; it’s going to be a long time until I don’t marvel at a fully-stocked toilet paper aisle.
My latest novel, They Went Left, is set in Poland and Germany in the months immediately following World War II. It’s about the concept of “After,” when that concept turns out to be so more complicated than anyone expected. “What did they mean, it was over?” my main character, 18-year-old Zofia Lederman thinks to herself as her liberators celebrate V-Day. “I was miles from home and I didn’t own so much as my shoes. How was any of this over?” Most of Zofia’s family was killed at Auschwitz-Birkenau, and now she must set off on a quest to find her only living relative, her younger brother, Abek.